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230 of 233 people found the following review helpful: 5.0 out of 5 stars Great Camera with HD Capability, November 11, 2007 This review is from: Kodak Easyshare Z812IS 8.2 MP Digital Camera with 12xOptical Image Stabilized Zoom (Electronics) Since 2002 I've had the same digital camera. It was an older Kodak 2-megapixel camera that did it's job - if just barely. It was light on features, and took acceptable pictures - in 2002 when it was introduced. Fast forward to now, 2007, with a new son and grandparents wanting lots of photos, and my wife (who seldom notices anything about technology) complaining about the quality of the photos that it took and it added up to being time to upgrade our digital camera.I wanted to purchase the Canon Digital Revel XTi since I had an existing telephoto lens that would fit it. My wife wanted to a pocket-sized camera she could fit in her purse. Needless to say, we were in a predicament. The solution? A camera with a good optical zoom and a number of different picture-taking modes.Originally we purchased the Kodak Z712 IS - which we were quite happy with. The only thing it lacked was the ability to take high definition video. A few weeks later I discovered that the very week that we purchased the Z712 Kodak shipped the Z812. So, the Z712 went back to the store and the Z812 arrived! Here's my impressions:

What I Really Like:

Great optical zoom. A 36mm-432mm optical zoom means that nothing is out of range with this camera. Combined with the image stabilization feature you can get away with slightly slower shutter speeds at long focal lengths and still get nice pictures.

A multiplicity of modes - As an amateur photographer I like having the ability to set my own shutter and aperture values depending on what I'm doing. At the same time, the availability of a fully automatic mode makes it a camera that is easy to use by anyone. Plus, having sixteen preset modes for special settings (night time shooting, portraits, snow, beach, etc.) is handy if you'd rather not mess with the stop settings yourself. In addition to being able to control the exposure you can also control the flash setting.

Variable Color Settings - This is a relatively simple feature but on the advanced modes you can choose between "Low Color" "Natural Color" "High Color" "Black and White" and "Sepia". This lets you adjust the appearence of your photos as you take them rather than in a photo editing program later. I find that taking a photo in the mode produces better quality that editing it later in a photo editing program.

Multiple Photo Features - Besides the standard self-timer, there are two settings for taking multiple photos. One takes five consecutive photos in rapid succession. The other will take up to 30 consecutive photos in rapid succession and store the last five.

High ISO settings - High ISO settings allows this camera to take photos in low light conditions. While the quality of low light pictures isn't exceptional, they're not awful either.

HD Video - by far my favorite feature is the ability to take 720p video at 30 frames per second. It takes a computer or high definition TV to really appreciate the superior quality of this video. The fact that the sound is stereo is cool, but the quality is about average for a digital camera.
(Update: Since I originally reviewed this I have owned an cheap Aiptek 1080p HD video camera and a Canon Vixia HF10 camcorder. Both blew the video quality of the Z812 out of the water. Just be forewarned, this is in no way a replacement for a video camera).

What I Don't Like: honestly, nothing. There's no major problems with the camera itself. That's being said, there's a few features that would have been nice.

On a camera of this caliber, it would have been nice to add an external flash for low-light conditions
Since this camera is labled has "HD" and takes high definition video, it would have been nice to be able to use a component cable connection to output 720p/1080i video direct from the camera.

Out of the box the camera comes with a disposable battery. The least Kodak could have done was include a rechargeable battery in the box. I ended up purchasing two rechargeable batters and an AC charger for it.

Summary: If you're not quite ready for size or cost reason to go with an SLR but want a high performance camera that includes the ability to take HD video, this is a perfect camera.

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156 of 158 people found the following review helpful: 5.0 out of 5 stars A Great Camera at A Great Price - Terrific Photos, Rich Feature Set!, September 17, 2007 Kodak Easyshare Z812IS 8.2MP Digital Camera with 12x Optical Image Stabilized Zoom I picked up this camera recently as a replacement for a Kodak z710. I was not entirely happy with the z710, but I was familiar with its feature set, and thought the extra megapixel on the 812 might be a slight improvement. Boy was I in for a shock! I took the darned thing out of the box in the parking lot of the store where I bought it, popped in the battery, attached the lens cap and neckstrap, and snapped a few quick ones through the windshield - and I was blown away. This camera is in a whole different catagory from its predecessor. The color quality is vibrant and intense, the feature set is broad and inclusive. The 12x optical zoom is nothing short of miraculous, coupled with Kodak's image stabilizing system to bring you into the action without losing sharp detail.
The Z812 has a few bells and whistles that I wasn't expecting - for example , in panoramic mode it allows you to, in camera, produce seamless panoramic shots stiched together from three separate shots. Get this - you shoot the far left area of the scene. In your next shot on the viewfinder you will see a small section of the previous shot superimposed over the next area - so you can line up your shots perfectly! The z812 does the same for the third shot - and shazaam! Stiches the three together perfectly, matching exposure and color saturation!
The z812 picks up incredible detail, has multiple and complex focussing cababilities, and the eight pixels let me print quite competently up to the full 13x19 that my printer allows without visible artifacting. In a pinch it also allows for some serious cropping!
In sillhoette/backlighting situations I have not noticed any purple fringing at all - that had been a problem with previous cameras. Detail is good, even in subjects like distant foliage (which had not been the case with the 710!)
And there are loads of useful other settings as well. The candlelight setting does a nice job of capturing warm and well exposed images with a minimum amount of light, and almost no digital noise!
The manual settings are great too - easy to find in the menu, and with a decent spectrum of settings.
The burst setting is very much improved too - the camera almost instantly generates your images - they show up on the viewfinder as they are being shot! Nice touch.
The 2.5 inch HD LCD display is huge and crystal clear, and the viewfinder offers a near HD image as well. You can (finally) really see what you are shooting in any light! (although it picks up some digital noise at higher ASA settings.)
The buttons are all conveniently positioned for easy access.
And if all that is not enough - get ready to be blown away by the video capabilities of this camera. I shot 20 minutes of footage at a Gunfight in Tombstone AZ. It looked good on the camera screen, but I was ready to be disappointed when I got it on to my computer screen.
Well, folks, I have to tell you I was not disappointed. The video was crisp, clear and colorful, without alot of posterizing (which had been a problem with the video on earlier models) In dim light there was a bit of digital noise in the videos. It may not be on par with some of the high end HD recorders out there, but its better than alot of the low end ones I've tried, and with a little practice and study, I suspect I can produce some really nice movies with this.
The camera interfaced easily with iPhoto and with the Adobe CS3Bridge to upload my photos and movies in record time!
And that is just denting the surface. As I've said, I've only had the camera for a few days, and only shot 200 or so images.

Addenda
Five months after purchase I am still extremely happy with this camera. Much as I appreciated the automatic functions in the first few weeks, I'm reaching the point where I nearly always have the camera in Manual setting mode - its easy to shift between aperture, shutter speed, and ASA settings (there is a little wheel on the upper right side of the camera at the back, easily accessible by thumb! Turn it to select the function, press it to set your level.) I don't hesitate any more to take multiple bracketed exposures at different settings.
I have been impressed with how well this camera operates under most natural light conditions. My one minor annoyance is that occasionally it decides on its own that it wants a flash - and I have to push the flash shut, and hit the "no flash" option to override it. A minor annoyance and an avoidable one (a bit more thought in the moment!) I've used it in nearly every imaginable lighting condition - from very bright noonday sun, to night shots, and have been able to capture just what I wanted.
If I have any disappointment with the camera to date it is that it does such a good job of capturing the shot I want that there's no need to play with the images in Photoshop! My 2 GB SD memory card will take around 730 shots - although the battery, fully charged will only handle around 250. With spare battery in my bag, I can shoot for a week without plugging in or having to download anything.
So, in a nutshell, here's my assessment - a great camera, at a great price, with an Intuitive interface and an easy learning curve! If you are on the verge of stepping up to an SLR, but not ready to fork over the $700 this is a very reasonable alternative!
Great job, Kodak!

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64 of 65 people found the following review helpful: 5.0 out of 5 stars Lite weight and a Joy to use, September 15, 2007 I was looking for a light weight camera that had a powerful zoom. well this one is both plus more. I love the options and the ease of use. Even for a Dumbie like me you can take Excellent shots. And to add to it, it records in HD Wow am I impressed for the price. The ONLY thing I was not happy with is the darn thing does NOT come with a charger. You have purchase that seperately.
At a $300 price point, I think that a charger should have been included.
I am pleased with my purchase and short of getting a true, SLR which for me is way to heavy to carry, this one fits the need. I don't think you will be sorry on this purchase. Help other customers find the most helpful reviews Was this review helpful to you? 
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Given the success of Canon's highly acclaimed G Series, it's no surprise that ambitious photographers have been eagerly anticipating the next model in its evolution. The wait has paid off handsomely with the introduction of the PowerShot G9. In image quality and functionality, the G9 stands above the competition with 12.1 megapixels of resolution, 6x optical zoom with Optical Image Stabilizer, and RAW mode for the ultimate in creative control. Sophisticated design and high-quality construction complement the technology and make the G9 a camera to be reckoned with.

Big Impact in a Compact Package
The PowerShot powerhouse: A class-leading 12.1-megapixel digital camera with unique Canon DIGIC III Image Processor, 6x optical zoom, and Optical Image Stabilizer.

12.1-megapixel resolution gives you plenty of rich, deep detail to work with. Blow up images to poster size, or enlarge and crop any section without fear of pixilation.

With DIGIC III, your images boast superior quality, the camera operates at top efficiency and battery life is enhanced. What's more, DIGIC III enables Canon's Face Detection Technology and red-eye correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the camera automatically pinpoints the faces in the scene and chooses the ideal focus point. The camera controls exposure settings and flash to keep every face looking bright and natural. Red eyes can be corrected during playback.

iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.

The camera is equipped with a long 6x optical zoom. Canon's own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range--even in low light--by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality.

Creative Power in Your Control
Full range of shooting and recording modes including JPEG + RAW for the ultimate in creative control.

The PowerShot G9's RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting.

25 Shooting Modes, Including 9 Special Scene Modes

Shooting Modes
Advanced presets for the best possible photos under certain conditions.

Auto
The camera chooses all the settings so you can concentrate on your subject.

P Program
Access advanced exposure compensation features while shooting mostly automatically.

Av Aperture-priority
You define the aperture to either isolate your subject or have clarity throughout the entire picture, and the camera will choose the corresponding shutter speed.

Tv Shutter-priority
You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon's noise reduction system activates to ensure low image noise.

Manual
The ultimate in creative control, you set both aperture and shutter speed manually.

C Custom
Define and store your own settings to achieve the effects you prefer.

Stitch Assist
Build awe-inspiring panoramas by neatly aligning sequential images.

Movie
Shoot in High Resolution (1024 x 768 at 15 fps), VGA (640 x 480 at 30 fps/30 fps LP), QVGA (320 x 240 at 30 fps) for up to 1 hour or 4GB, QQVGA (160 x 120 at 15 fps) for up to 3 minutes or Time Lapse (640 x 480 at 1 second/2 second intervals) for up to 2 hours.

Special Scene Modes

Portrait
The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."

Landscape
For front to back sharpness, the camera sets a small aperture.

Night Scene
For impressive sunset or nightlife shots, the camera properly exposes the background and uses slow-sync flash for the subject.

Sports
Ensure highly accurate autofocusing when shooting fast-moving subjects.

Foliage
Capture brilliant shots of autumn foliage, greenery and blossoms.

Snow
Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.

Beach
Get clear shots of people at a sunny beach without darkened faces.

Fireworks
Grab brilliant images of skyrocketing fireworks.

Aquarium
Achieve proper flash-free exposure and natural hues at indoor aquariums.

Underwater
Capture underwater images with reduced backscatter effect. (Note: Optional waterproof case WP-DC21 required for shooting any underwater images. Waterproof case not included--must be purchased separately.)

ISO 3200
Expands the user's ability to shoot in dark settings without using the flash.

Indoor
Reduce blur and improve color accuracy when shooting handheld indoors.

Kids and Pets
Reduced focusing time freezes fast-moving subjects, so you won't miss those special shots.

Night Snapshot
Get natural-looking pictures with brighter backgrounds and subjects lit by flash.

Color Accent
Choose to retain a single color in your image while other colors turn monochrome.

Color Swap
Select a color and replace it with a color you specify for special effects.

A View That's a Pure Pleasure
Optical viewfinder plus large high-quality 3.0-inch PureColor LCD II screen for bright, accurate color with greater viewing from a wider angle and with an anti-glare, anti-scratch coating.

The PowerShot G9 gives you an extra-large 3.0-inch LCD screen for excellent control when framing your shots. But size is only part of the story. Canon's PureColor LCD II offers more spectacular color, resolution, and contrast even at an angle (compared to PureColor LCD). The screen is highly durable and easy to see in any light with a scratch-resistant, anti-reflective coating. It is a perfect feature for gathering friends and family around to see your images.

3.0-Inch LCD Screen
Canon technology maximizes quality and performance.

Genuine Canon Face Detection Technology sets the focus, exposure, and flash automatically, leaving you free to compose a group, capture an unguarded moment, or coax the perfect smile. Plus the new Face Selector Button lets you select the primary face.

DIGIC III features Face Detection technologies, giving the you best possible results in any shooting situation. Face Detection AF/AE sets the focus point and exposure for the faces of your subjects. Face Detection FE adjusts the flash to correctly illuminate your subject to provide the best balance between your subject and the overall scene, eliminating the common problems of over- and underexposed faces.

And new Face Selector AF enables you to lock on and follow a specific face. The selected subject is tracked wherever the face moves in the frame.

The PowerShot G9 features ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater shooting flexibility.

Red-eye correction detects and corrects red-eye during playback. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode.

The Creative Freedom You've Wanted
Compatible with a wide range of accessories including EOS Speedlites, Canon supplementary lenses, and a waterproof case.

The PowerShot G9 is compatible with many shooting accessories, not only wide and teleconverter lenses, a waterproof case, and High-Power Flash designed for all of the PowerShot models, but also Speedlite EX series that is compatible with all EOS series SLR cameras. (Shooting accessories are not included; they must be purchased separately.) Attach a Speedlite 580EX II to the hot shoe, then you can set and control the flash on the "Flash Control" menu in the camera. With the 580EX II, the G9 is able to have extra functions such as autoflash metering, FE lock, and Flash exposure compensation. Canon's Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A waterproof case is also available for your underwater shooting.

The Complete Print Solution
Print/Share Button for easy direct printing and downloading, plus ID Photo Print and Movie Print with select PIXMA Photo Printers, CP, and SELPHY Compact Photo Printers.

The PowerShot G9's Print/Share button makes direct printing easier than ever. Simply connect the G9 to a Canon CP, SELPHY, or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button, and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SELPHY Compact Photo Printer.

What's in the box:
Canon PowerShot G9 digital camera, lithium battery pack NB-2LH, battery charger CB-2LW, MMC Plus card MMC-32MH, neck strap NS-DC6, Digital Camera Solution CD-ROM, USB interface cable IFC-400PCU, AV cable AVC-DC300

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1,792 of 1,817 people found the following review helpful: 5.0 out of 5 stars Some new facts about LSD cells you should know..., January 6, 2007 This review is from: Sanyo Eneloop AA NiMH Pre-Charged Rechargeable Batteries - 4 Pack (Electronics) [Updated Oct 24, 2008]
My original review on the Sanyo eneloop NiMH cells was written nearly two years ago. Since then, I have learned a lot more about the characteristics about eneloop and other low-self-discharge cells. So it is time to clear up some inaccurate information I wrote about eneloop's self-discharge rate.

1. I was told that the Sanyo eneloop cells were not 100% fully charged when they leave factory. This makes sense because new cells are fast-charged in the factory to save time. In order to avoid problem with heat and gas built-up, they cannot be charged to 100%. I have tested some eneloop cells that were manufactured 20 months ago, and they still maintained about 70% charge. On the other hand, cells manufactured 6 months ago contain about 75% charge. This confirmed that the discharge rate is much lower than I previously estimated.

2. The self-discharge rate of eneloop (and other LSD cells) is not linear! My own testing showed that a fully charged eneloop may lose 10% of its initial charge during the first month of storage, but in the second months it may lose just 2-3%. The rate becomes even slower after three months. In fact, my 5-month self-discharge test using various brands of LSD cells gave nearly identical results as my previous 3-month test.

3. When an eneloop cell is freshly charged, its capacity actually measures at about 5% higher than its rated capacity (2100mAh vs. 2000mAh). In my previous tests, I used measured capacity as base to calculate the percentage loss. This results in apparently higher percentage loss. Had I used the rated capacity as base value, the self-discharge rate would be about 5% lower.

Based on the above revelation, I believe Sanyo's claim about eneloop (maintain 85% charge after one year, 80% after two year) to be accurate. Therefore the title of my previous review ("The News of LSD Has Been Slightly Exaggerated") has to be replaced.

Over the past two years, I have tested several different brands of LSD cells available from Amazon.com, including Rayovac Hybrid, Kodak Pre-Charged, and Duracell Pre Charged. They have all performed very well - practically no difference from the Sanyo eneloop. So the bottom line is: just pick which ever brand of LSD cell is on sale, and you can't go wrong.

[Update on April 21, 2011]
- After testing and using various brands of LSD cells over the past four years, Sanyo eneloop cells have proven to be the most reliable and consistent of them all. I now have to recommend Sanyo eneloop over all others brands.

- Recently Amazon started to offer the SANYO NEW 1500 eneloop cells, at around 25% higher price. In my testing, the improvement of the new eneloop over the original is hardly noticeable. So you'll have to decide whether it is worthwhile to pay the extra cost.

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1,812 of 1,847 people found the following review helpful: 5.0 out of 5 stars LSD is great.... just keep away from heat!, January 8, 2007 [IMPORTANT NOTE]
My original review below was written back in 2007, when the Sanyo eneloop first became available
through Amazon.com. Part of my initial estimation about eneloop's self-discharge rate turns out to be inaccurate. Please see my other Amazon spotlight review for updated information.

[Original Review follows]

According to Sanyo, the new eneloop LSD (low self-discharge) NiMH batteries can maintain 85% of its original charge after 1 year of storage. This claim is slightly misleading, because it is based on simulation test at 20 degree C. At higher temperature, the self-discharge rate is likely to be much higher.

I have tested five of those AA cells (details are given in my review for the eneloop 4-pack). The average energy loss is about 26% after less than 6 months of storage, based on manufacturer date codes. This self-discharge rate is about 3 times higher than what Sanyo claimed. However, it is still 6 times lower than that of ordinary NiMH batteries. Therefore I'm in the process of replacing most of my existing rechargeable cells to the Sanyo eneloop.

Thanks to lower self-discharge rate, you'll discover a lot more applications for eneloop cells in your house, such as in clocks and remote controls. Do NOT use those cell in smoke detectors, since their discharge voltage profile is very different from that of alkaline cells. Also, don't use them as emergency flash lights batteries in your car, because the higher temperature during summer time will probably nullify the advantage of LSD.

[Update on Jan 13, 2007]
I have tested six new eneloop AAA cells, dated "2006-06'. The average residue charge is 589mAh, and the freshly charged capacity is 827mAh. This implies a self-discharge rate of 29% in 7 months, which is consistent with the rate for AA cells (26% loss in 6 months).

[Update on Jan 29, 2007]
The Rayovac "Hybrid" rechargeable NiMH batteries are now available at Walmart, priced at only $[...] for 4-pack of AA or AAA cells. It is also advertised to have low self-discharge rate, but not as low as that for eneloop. The eneloop is supposed to retain 85% charge in 12 months (when stored at 20 degree C), whereas Hybrid is supposed to retain 80% charge in 6 months (no mention of temperature).

[Update on June 3, 2007]
In my 2-month self-discharge test using four different brands of NiMH cells. Hybrid and eneloop came up neck-and-neck!

Room temperature: 60-62 degree F (16-17 degree C). All capacities measured are average of 2-cells.

- Sanyo eneloop 2000, purchased Jan 2007.
Initial capacity measured: 2070mAh
Capacity after 62 days: 1796mAh (-13.2%)
(Note: my previous result for eneloop showed -18%, but I repeated the test and it did better this time)

- Rayovac Hybrid 2100, purchased Jan 2007.
Initial capacity measured: 2155mAh
Capacity after 62 days: 1859mAh (-13.8%)

- LaCrosse 2000, purchased Jan 2006.
Initial capacity measured: 1902mAh
Capacity after 62 days: 1417mAh (-26%)

- SONY 2300, purchased Sep 2004.
Initial capacity measured: 2210mAh
Capacity after 62 days: 1309mAh (-41%)

So neither eneloop nor Hybrid did as well as advertised, but they are still significantly better than previous generation of NiMH cells. So you can't go wrong with either brand.

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335 of 342 people found the following review helpful: 5.0 out of 5 stars After all It is not only about milliampere hours, March 12, 2007 This review is from: Sanyo Eneloop AA NiMH Pre-Charged Rechargeable Batteries - 4 Pack (Electronics) I received several sets of Eneloops in February and label told they were produced in April - so they sat at warehouse for nine month. I put them into camera and they worked just fine. Kudos Sanyo!

I should also mention that Sanyo includes reusable battery holders with each set of four. These holders do not look very sturdy, but they perfectly usable.

Technically, Sanyo solved the main problem with NiMh technology - frightening self-discharge rate (up to 40% a month for standard cells). By doing this Sanyo reduced cell capacity down to 2000 mAh from today's top line of 2700 mAh.

Simple calculation shows that due to self-discharge a good 2700 mAh battery holds only around 2000 mAh after a month and a half.

So the answer to the question "which battery is better - Eneloop or standard NiMh" - lies in the usage pattern.

If you always keep batteries in your camera in top-notch charged condition, then standard 2700 mAh set is a winner. For occasional shooters who always forget to charge batteries (like me), Eneloop makes lot of sense because in three month I get around 1900 mAh out of Eneloop and only 1400 mAh from the standard cell. So Eneloop is a winner for everyone who keep batteries inside the camera or any other device for more than 6 weeks.

And, well, if paragraph above looks too technical with too many details and numbers - then Eneloop is a clear winner too, because it just behaves the way battery should behave - without forcing users to know how it works.

This observation made me buy additional sets of AAA Eneloops to use in my wireless mouse, keyboard, voice recorder and LCD flashlight. It should be taken into account that Eneloops are four times more expensive than Alkaline cells, so it is reasonable to use them for devices that require fresh batteries at least twice a year.

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Scott Kelby, the man who changed the "digital darkroom" forever with his groundbreaking, #1 bestselling, award-winning book The Photoshop Book for Digital Photographers, now tackles the most important side of digital photography--how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think).

This entire book is written with a brilliant premise, and here’s how Scott describes it: "If you and I were out on a shoot, and you asked me, 'Hey, how do I get this flower to be in focus, but I want the background out of focus?' I wouldn't stand there and give you a lecture about aperture, exposure, and depth of field. In real life, I'd just say, 'Get out your telephoto lens, set your f/stop to f/2.8, focus on the flower, and fire away.' You d say, 'OK,' and you'd get the shot. That's what this book is all about. A book of you and I shooting, and I answer the questions, give you advice, and share the secrets I've learned just like I would with a friend, without all the technical explanations and without all the techno-photo-speak."

This isn't a book of theory—it isn't full of confusing jargon and detailed concepts: this is a book of which button to push, which setting to use, when to use them, and nearly two hundred of the most closely guarded photographic "tricks of the trade" to get you shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with your digital camera every time you press the shutter button.

Here's another thing that makes this book different: each page covers just one trick, just one single concept that makes your photography better. Every time you turn the page, you'll learn another pro setting, another pro tool, another pro trick to transform your work from snapshots into gallery prints. There's never been a book like it, and if you're tired of taking shots that look "OK," and if you’re tired of looking in photography magazines and thinking, "Why don't my shots look like that?" then this is the book for you.

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2,301 of 2,338 people found the following review helpful: 5.0 out of 5 stars Ultra Flip Review and walkthrough, September 16, 2007 This review is from: Flip Ultra Series Camcorder, 60-Minutes (White) OLD MODEL (Electronics) I'm a computer artist and animator and I haven't been happy with a lot of cameras. I was drawn to the Ultra Flip because of the lack of wires, I like the idea of the USB stick. They include a set of batteries with the package so you can start recording right away (as well as a little velvet drawstring bag). It was very easy to use, it's just as promised, click the red button to record (and to stop) then flip (ha-ha) the USB stick out and put it in your computer's USB slot.

I read a reviewer of another model of the Flip saying he needed an extra part to hook up his USB, I don't know what he was using but you don't need any middleman if you have a current USB port. Of course it might have been that he didn't feel comfortable with the camera sort of weighing itself down a bit when you have the USB attached to a tower. I'm using mine with a laptop which is on a table so the camera can rest comfortably on it. He might have gotten a USB extension so that he could set his down if he was using a desktop computer. I did try the flip out in my desktop and I did have to make sure that the dog didn't jump around it as it does feel sort of vulnerable, but I will mainly use it in my laptop.

After you have it in your USB port, you will then go to "my computer" and see a new blue icon (unless you're Mac, you'll see a folder for you instead), click it and it installs the program - which seems to run on the stick alone, not taking up any space on your system, although it does put a small encoder on your system.
(Side note: - I did try to click "explore" before I installed the program to see if I could just drag the videos directly to my desktop by passing the program, and while you can save them, you can't see the videos). You have to go through the program to save them to your computer and be viewed properly.

So after you have installed the program, click "flipvideo" from your "my computer", then click "Flip Video for PC.exe" to open the program. It's very simple, you will see your videos and on the left you'll see a "save video" tab, here you can select what video(s) you want to move to your hard drive and then click the save button - they call it saving to your library, they will ask you to name a library, which will end up being a folder that holds your videos, which you will find in your documents as "My Flip Video Library".

After you have done this, you can then open them normally (outside of the program using just a player). They will be saved as AVIs.

They also have a "share video" section where you can upload your movies straight to Youtube, AOL or any video sharing website. Sounds good, but I haven't tried it yet. Now you can make a "movie mix" which is basically adding an effect to your video (slowed down in black and white or cartoon fish floating about etc. - no editing). It's very (very) simple, but it's cute.

They include a little plug that connects your Flip straight to your TV. Use your remote to find your 'line', 'input' or 'source' button to find it, click a few times, you'll see the first still of your video when you've got it right. Then hit play, now it wasn't clear in the instructions, but you want to hit play on your Flip (not the TV), to watch your video on your television and it looks great!

They also have an option to 'save for email' - if you do this it will save the videos into a folder "Flip videos for emailing" on your desktop that you can then send as attachments. When I did this it sped up the sound (think Mickey and Minnie) while the footage remained at normal speed (now don't worry, this doesn't happen when you save the videos to your computer as discussed above). This is probably a compression problem, but we can't fix it in their program, so I won't be using that option again - I'll stick to the 'save to library' option. It also does this for the ecard videos. There is an option to send the video as an ecard with cute little borders around them, recipients are sent a link to see the card, but again when played the sound is sped up.

In spite of that (cuz it's worth it), I have found my video camera, it's so small and light, there are no plugs or cords, it takes great videos, no tracers, no little pixel smudges and the lighting is great. I took one outside at dusk and it looks nice. This thing records twice as long as my bulky handycam and I don't have to format any disks or plug in a bunch of stuff. The picture quality of the Ultra Flip videos is really amazing, my other cameras (handycam, Creative labs, the onboard Vaio and VIJE) do not hold a candle to the Flips quality. I'll be using it for video projects. I am very happy with the Ultra Flip and will be bringing it along with me for a family visit. I recommend it! Yes, I flipped for it!

NEW UPDATE ADDITION (11/15/07): Just an update for you here, after I wrote this review I did run the flip on some other systems and it did not have the problem. I only had the problem on my custom Hypersonic PC laptop which runs windows XP. The computers that had no problems were: A Boxx desktop running Windows XP pro, and a Sony Vaio laptop running Vista, and just today I tested the flip on a Dell desktop running XP home which also had no problems.
-And, a big AND here, after I ran the flip on the first two working machines (the Sony and the Boxx) a few times (using the export and email functions), suddenly it worked on the "bad" Hypersonic laptop. It seemed to have jolted it to work? I don't know why. Since that time I have had continued success on the Hypersonic.
-An engineer from Pure Digital (the makers of the Flip) emailed me after reading my review and we had an extensive exchange working on trying to figure out why this happened and he was very serious about resolving the issue. Another thing that flip does is create updates, so with these two things in mind I feel confident that they have or are taking care of any problems. But again, right now I do not have any problems.
-Also, someone asked if you can take stills. This camera is only a video camera, you can't snap pictures with it, however you can pull stills from your movies inside of their program.

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596 of 610 people found the following review helpful: 5.0 out of 5 stars Terrific substitute for a larger camcorder for casual use, September 30, 2007 This review is from: Flip Ultra Series Camcorder, 60-Minutes (White) OLD MODEL (Electronics) I'd love to do a video review of the Flip Video Ultra, but there's so much detail to be covered, I think the video format might get boring.

First, the Flip Video Ultra is in a class all its own. It is purely a highly portable video recorder for casual use. It will not replace your $12,000 Sony prosumer model or even your $800 Sony, Canon or Pansonic.

Rather the Flip Video Ultra is an extremely portable unit, measuring about 2.25 inches across by 4 inches high and a bit more than an inch thick. Powered by two AA cells, it can record 60 minutes or - surprise - more of video. In my experiments, I recorded almost 2 hours of video on a Flip Video Ultra. There's no big secret here: if what you are recording has relatively little movement, you can stretch your recording time. Thus, for recording lectures of your version of "My Dinner With Andre", the Flip might work out better than you planned.

The 640 x 480 VGA video is surprisingly good. Not theatrical quality sharpness, but far better than your cell phone camera will produce. Action is recorded smoothly with little, if any, artifacting. Exposure capability is excellent. I tried it on scenes ranging from a brightly lit sunny outdoor street with wide contrasts to a dark highway lit only by passing cars. Good detail under all conditions with little blocking. Quite surprising, really.

Incidentally, another reviewer complained that the lens could be easily scratched. That's not true. The actual lens is recessed and protected by either a glass or plastic cover. So far, it shows no susceptibility to being easily scratched. If it is, it appears to held in place by a metal fitting. Whether that permit user replacement, I don't know, but should the lens cover become damaged, I am sure it could be replaced.

The unit has what appears to be about a 2x digital zoom, which is a nice touch.

The Flip Video Ultra is a very nice piece of design. The battery compartment latch is on the bottom and is highly resistant to accidental opening. There's also a tripod socket on the bottom. It is mounted off-center, which I consider unfortunate because this camera would be a perfect fit for the Quik Pod Pro+ with All Accessories Including Tripod Legs, a handheld camera mount that allows you to include yourself and a companion or two in your own videos. It's really a very clever gadget, but the off-center tripod mount on the Flip makes it a tiny bit difficult to use.

From the back, on the right side, is a sliding switch to power the unit on and off. Again, the switch is very well designed and very difficult to trip accidentally.

On the back of the Flip is a 1.5" transflective screen that you can see even in quite bright daylight. It is more than sufficient for casual videomaking. There's a 4-way rocker switch under the viewfinder. This four way has a big red button in the middle that controls recording. It is on the difficult side to use, requiring you to use a fingernail to depress it to stop and start recording. They obviously made it this way to prevent accidental starting and stopping, but they did their job too well. It's a bit of hassle to cleanly start and stop recording. But at least you won't be making any accidental recordings with this unit. The rocker switch is multi-purpose. Playback volume is controlled from here as is the digital zoom and, in playback mode, moving from one clip to another. There's a play button to the left of the 4-way and a delete button to the right. Couldn't be simpler. My only complaint is that the recording start and stop function isn't as snappy as it could be.

Response time of the unit is excellent. Once you do get that pesky start button pressed, the unit begins recording almost instantly. Audio quality, by the way, is excellent. The built-in microphone is sensitive and nearby voices are recorded without distortion.

Some people fail to see the utility in the Flip Video Ultra, pointing out that their digital cameras also have video. Yes, many do. But few offer the capability of recording an hour or more of 640x480 video at one time. Most can't hold an hour of video on a single card. And few are as small and compact as the Flip Video Ultra. So the comparison of the flip with digital still cameras doesn't fly.

The Flip is the kind of thing you can carry with you all the time and whip into action reasonably quickly (but thanks to that pesky record switch, not quickly enough) to capture some cute thing the kids are doing or something that is going on around you. Bloggers, blossoming independent journalists and artists of many kinds will love the Flip. Parents who are into recording their kids' cute moments will also love it. And, frankly, it's a nice thing to pop in your pocket when you're travelling. The Flip is one of those rare gadgets that can appeal to many different kinds of people for many different reasons.

The real beauty of the Flip is in getting the video off the camera and onto a computer.

Just plug it into a USB port.

That's it.

The USB connector flips up from the Flip.

Truly slick design, reflective of very innovative thinking.

Plugging it in brings up an idiot proof interface for getting the video onto your computer. (There's an option to save it to DVD through authorized dealers which I did not try.) It's two-step process to transfer. Simplicity personified.

Flip also includes a trial version of Muvee Autoproducer which can more or less edit your video clips into a presentable format by applying machine intelligence. It works, sort of, and for many people may be all they need or want. Be forewarned: there's a sales message included that promises you 20% off the full version of Muvee Autoproducer. But guess what? The "special deal" gets you Version 5 of the product, not the currently shipping Version 6 to which you can upgrade for $39.95 more. Guess what? That brings you to the full suggested retail price of the current product. This kind of "special offer" has an unsavory aroma to it. I've written to both Pure Digital, makers of the Flip, and Muvee to see if this is just an unfortunate mistake (i.e., the offer was embedded in the software before the new version came out) or is just a plain attempt at a rip-off. Should you be attracted to the "special offer" on the Muvee software, I suggest you check it out for yourself.

I'm obviously a quick convert to the Flip. I think it's a great gadget and a more than adequate substitute for heavier equipment in appropriate situations. I've been thinking of doing some video blogging for a project that requires one-on-one interviews. I can see buying another one or two Flip Video Ultras, some lightweight 4-SECTION Tripod with Grounderand with a portable light or two, having a more than adequate two or three camera setup. The quality would be more than adequate for web distribution and, depending on circumstances, even for DVD distribution to a business audience.

I am obviously impressed by the Flip Video Ultra. It has not only a very high cool factor, but a very high utility factor as well.

Jerry

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1,470 of 1,517 people found the following review helpful: 5.0 out of 5 stars Small Device With Big Memory! (UPDATE!), October 7, 2007 This review is from: Flip Ultra Series Camcorder, 60-Minutes (White) OLD MODEL (Electronics) Length:: 1:34 Mins

UPDATE: The new model of FLIP Video is better designed and does not have a problem with the record button being insensitive as shown in this video. Also, the HD version is already a classic!

A video camera the size of a box of cigarettes records up to 1 hour of your favorite 'instant' moments with an easy on/off button, minor zoom and shuttling between videos. Simply plug it into your PC, download the SETUP and you are on your way to editing your own home movies. This is a cool invention! And YES, the Record button does take a firm click - its not sensitive as you'll see (Press, press, press....)

Since you don't want to risk snapping the FLIP Camera USB port off on your computer, I recommend you buy the CABLES TO GO 26686 (male and female ends). It is six feet long and very convenient.

Also, I highly recommend buying a waterproof encasement for rainy or even very humid days. I fried my FLIP recently without any water (just humidity) getting into the flash drive.

Have fun!

ANOTHER UPDATE - 9/14/2009:
This version of the FLIP does not download to YOUTUBE anymore. You need to save it in "Windows Movie Maker" and THEN transfer that version into YOUTUBE. Software is always changing. I understand that the NEW HD version of FLIP has the upgraded software.

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559 of 567 people found the following review helpful: 5.0 out of 5 stars 500, 550, 600, 630, 700, 800, 900: Which is "the one"?, October 2, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Even though my SD110 seemed indestructible, it couldn't match the size and nimbleness of the new generation of Elves, so it was time for a replacement.

With under a hundred bucks separating the first five models, a consumer might well be in a minor dither about which to get. Currently most Amazon consumers are bucking the adage "newer is better" and going with the SD600 (which the tech people at Cnet support, giving it a rating identical to or higher than the slightly larger and heavier SD700 and recent SD800 and SD900, both with Digic III processors). Perhaps their thinking is like mine: first, its dimensions (width, depth, and height) are smaller and its weight (under 5 oz) lighter than the other six models (the 500's are the largest, and the 630, in fact, is a bit of an oxymoron: a bigger screen to accommodate failing eyes but tighter and tinier controls for those same eyes to locate and navigate); second, the 600 is the only one of the seven that maintains the original Canon Elph aesthetic of perfectly square angles at all corners of the camera (the contoured look that Canon is beginning to introduce is, I confess, a slight offense to my eye). Finally, in the category of set-up time for the first and each subsequent shot, the 600 is comparable in speed with the other models, rated a nano-second behind the 800 but better than the 900. Moreover, the price at this time is right (though don't expect this model to be around much longer). If you can live with a "mere" 6 megapixels and shoot with a sufficiently steady hand to ignore the absence of the 700's image stabilizer feature this may very well be "the one" for you. (Not for an eternity, but in our world of rapidly changing technology even an "extended honeymoon" of several years has to be considered equivalent to a lasting marriage.)

If it needs a further recommendation, my botanist son-in-law, who owns an SD500, is about to order a supply of the smaller and lighter 600's to put in the hands of his students in the field.

Postscript: Contrary to a later reviewer's claim, this camera does not have an "anti-shake" feature like the SD700. I've never had a problem with shaky pictures, but should you observe jittery images, try shooting through the viewfinder for a firmer grip (which is lacking, by the way on the SD630). As for a 6 megapixel lens vs. a higher number, only the sharpest eye would detect any difference in quality of resolution--and even then it would have to be an image blown up to wallpaper size. Finally, the cost of SD memory cards has come down by 50% in just the past several months, so it makes sense to go for the larger (1 GB) card. Also, I would spend the extra fifteen bucks for the faster speed of the Sandisk Ultra II card. (If you like to check the results of a shot the instant after exposure or if you transfer large numbers of shots to your computer at the same time, you'll notice a difference). If you're content with a conventional SD card and want to save a few additional bucks, go with Kingston (as good as Sandisk, in my experience, though I'd stay clear of Lexar, which has given me trouble).

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485 of 502 people found the following review helpful: 5.0 out of 5 stars A week in Boston - 400+ photos and not a bad one in the bunch!, May 9, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) This is my third - and possibly final - digital camera. It does everything superbly and in a size I can just throw in my pocket so it's always there. Before the SD600 I had a Canon S100 2.1 mp [a great camera] and a Sony DSC-W1 5.1 mp [a piece of $%#@ - every other image blurry].

With the Sony less than a year old, I couldn't put up with it anymore - it was time to go back to Canon so I wouldn't miss any future shots. I got the SD600 at Best Buy 1 day before leaving on a week-long trip to Boston. My 10-yr old daughter was studying the Revolutionary War in school so I was told to take a lot of photos and "Dad, make sure they aren't blurry like all those others." [She's got the old S100, so she's not worried].

Since I'd already had the old S100, the controls were familiar. Best Buy had a 1GB PNY SD chip on sale for $39, so I had room for over 500 photos, plus I picked up an extra battery.

In the week in Boston I shot day, night, flash, long exposure, high light, low light, drizzle, rain, sun, and even a short video of Morris dancers in Boston Common. Every shot was great - and not one blurry, even when the 'shaking hand' was on. I'm not sue that the image stabilization with the SD700 would be all that necessary.

I found that indoors [my greatest fear since the Sony made you worry about every shot] with reasonably good lighting I was able to turn the flash off and shoot with natural light. I've not yet had the time to play with the various modes - just straight turn it on and shoot [both of which were very quick with minimal delay].

Everyone we were with were greatly impressed by the 600's size, style, and images on the LCD - and surprised to see me turn it on end to show full screen portrait format shots [very cool]. Even friends with the SD450 [my Christmas recommendation] wanted to trade theirs in.

I was able to get over 150 shots - maybe a quarter with flash - without recharging [I just stuck the little spare in the coin pocket in my jeans and didn't worry about it].

The software's great, too. I used the old ZoomBrowser EX with the Sony, so it was nice to see this updated and much more functional. I might not have to use Irfan Skiljan's IrfanView package anymore.

I'm sure that over the summer I'll find all those bells and whistles to be entertaining, but for just taking pictures, I don't think there's anything more I'd ever want. Now if I can just find someone to take the Sony... and I'll throw in my old Omega D2 enlarger for free!

The SD600 is as close to perfect as you can get and all I'll ever need.

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38 of 38 people found the following review helpful: 5.0 out of 5 stars Great quality with a lot of versatility, November 27, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Funny how this camera seems to be tested in Boston. I bought this camera specifically for a trip to Boston. I thought my brother's SD450 was the best digital camera I've ever used, until I got the SD600.

I took TONS of pictures in different lighting and all turned out great. I shot everything from plates of food inches away to soccer games with players clear across the field.

Certain settings worked better than others for different lighting situations. It really just depends on what color tones you prefer. I prefer warmer tones and the camera worked really well. For the basic point-and-shoot shots with the setting on automatic and flash, I thought the colors were very true to life.

The video feature is really great as well. Playback is amazing on the large LCD screen. The newer version of this camera (SD630) has a larger display of 3inches but I actually prefer my 2.5inch screen. THis is because when I tried out the SD630, I'd get finger prints on the screen just trying to manuever the buttons. I don't have this problem w/ the SD600. I am able to avoid touching the screen while changing the settings on my camera.

The best thing about this camera is that it is ready almost instantly after you turn it on. No waiting for an annoying flash to warm up. It also takes a picture right away when you press the button. Hardly a delay compared to other digital cameras.

I don't have much else to add to this review that hasn't been already addressed. This camera with its numerous settings is far better than any old point-and-shoot camera. I think it's a great compromise between a professional camera and a point-and-shoot. It's quite versatile for those who like to play around with settings and effects. For the price, this camera rocks. 3 people have already been convinced into buying this camera after seeing me use it.

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828 of 838 people found the following review helpful: 5.0 out of 5 stars Designed for serious shooting, but fun to use! Lots of customizations., October 20, 2008 Several months before the D90 came out, I bought a D60 to hold me over until the D90 was released. Well, I've enjoyed using both cameras, but this one is a huge step up and more suited to an advanced enthusiast, like me. It's a real pleasure to use.

ERGONOMICS - The D90 is solid, tight, and well-balanced with the 18-105 VR lens. It's always ready and it shoots very fast. I love all the direct access buttons; they're easy to press, with good tactile feedback. And since you're not going into the menus as much, you can work faster. It's heavier than the D60, but that's OK. It's still very manageable to carry around and it fits my average-sized hand better too. The shutter sounds different than the D60 (if that matters to you). It sounds more like a professional camera; more like a fast "whoosh" than a "click-click". And there are so many internal customizations that you can set it up exactly as you want.

LENS - Biggest surprise was the 18-105 VR lens which I expected would be ho-hum, but turned out to be pretty sharp and clear. Better results than the 18-55 VR. We've really come a long way from the days (30 years ago) when you were cautioned to ALWAYS to buy a prime lens, NEVER the kit lens because of it's poor image quality. With computer-aided design and new technology, that's not true anymore.

IMAGE QUALITY - I shoot RAW for maximum detail and the ability to adjust settings afterward if necessary - like exposure or white balance. Image quality is very good to excellent depending on your RAW converter. To my eye, best results are obtained with View NX/Capture NX, but Adobe ACR/Lightroom still do a very good job (2010 UPDATE; After using Lightroom the past year, raw conversions are beautiful and far quicker to achieve than Capture NX). When shooting JPGs using the Standard Picture Mode, images are sharp and colors are true, without over-saturation. You can always use different Picture Modes and customize any of them to get closer to the in-camera results you want. For example, you can boost saturation and contrast and save the setting as your default if that's what you like.

LIGHT METER - Metering is fine and seems to be quite accurate in most cases. I use matrix metering mostly. As with any camera, you have to get to know the meter. If I had to be VERY critical, I'd say when it's pushed, it's more likely to preserve shadows than highlights, usually when Active DLighting is on. To me that's a good thing. Another website mentioned a slightly "over-enthusiatic" meter in its review. The good news is: if you really feel exposure results are not to your liking (whether over or under exposed), the meter is fine-tuneable, so go ahead and customize it as you see fit. I would just work with the meter first -get to know the camera and adapt yourself to it before you start making any adjustments. That said, I've used the D90 in a very wide range of lighting conditions and I can truly say that while exposures may vary occasionally, they've always made perfect sense for the situation. I've never been shocked or puzzled by the output.

LIVE VIEW - is great for the occasional high or low shot. I didn't think would need it, but when I had the D60, I found myself in many situations where I really could have used it. Unlike a point-and-shoot, focus is slower in this mode and shooting seems somewhat clunky. I wouldn't use Live View if I were in a rush or trying to get an important shot. It's just a nice little extra.

MOVIE MODE - this is a nice novelty and may be handy in a rare moment, but I'm generally not a video camera person. I'm surprised to read that some people have made movies and commercials with the D90. I keep promising myself to use this feature more, but I don't have a tripod and I'm just too jittery and uncreative to get good cinema-like results. Moreover, from the little I've tried it, I'm not impressed - there's no autofocus during filming and the movie comes out over exposed and far from HD quality. The user manual is not very helpful either. But I didn't purchase the camera for this feature, so I'm not disappointed.

ISO - I really like the new wide range of ISO settings, especially when coupled with the Auto-ISO setting. Mine is customized to keep the camera at ISO 200, but kick in at 1/30. In this example, anytime lighting decreases enough for the shutter speed to drop below 1/30, the D90 will automatically compensate by raising the ISO high enough (up to an ISO limit you set) to help keep your shutter speed at 1/30. Once the ISO maxes-out at your limit, the camera has no choice but to start bringing down the shutter speed. Noise at high ISOs isn't an issue. In fact, you have to zoom in pretty close for it to be even slightly noticeable. I use Auto-ISO mostly all the time. Its an amazing feature! I only turn this feature off when I want to stick to a particular ISO at all times (if its on a monopod or I've stabilized the camera in some way).

ACTIVE D-LIGHTING - helps camera to preserve shadow and highlight detail. More important to use when shooting JPG because the exposure has to be right at the time of shooting, when the camera creates the JPG. RAW shooters can always adjust exposure in post processing. Even though I shoot RAW, I usually leave it on Auto so I can double check the exposure details on the LCD screen. It's available in various strengths from Low to Extra High. Again, another great customization.

CONS
-At this price, Nikon should include a robust image editing software, or at least a decent discount on Capture NX2, which works great, but costs extra.
-Kit lens is thick in diameter (67mm). Also, the front glass of the lens seems somewhat exposed, as if it's not recessed that much (it's just enough for a lens cap). I worry that it'll get scratched easily. Good thing Nikon included the lens hood.

AUTOFOCUS TIP - I customized the D90 to autofocus using the AF-L button instead of the shutter release. Now I can focus with one press of my thumb on the AF-L button and shoot with my index finger on the shutter release. This allows me to focus first, let go, then take the shot. Since the subject is already in focus, I can take multiple shots, recompose or go vertical. I'm not forced to continually re-focus for every shot or move the AF point around in the viewfinder. This minimizes AF mishaps on unintentional subjects. And since the VR system remains off until you half-press the shutter (it activates only when you're ready to take the shot, not while you're focusing) you save on battery life as well.

Also, with the D90 set to AF-C mode (continuous autofocus) you can keep a moving subject in focus by holding down the AF-L with your thumb and shooting with your index finger. If the subject becomes still, simply let go of the AF-L button; focusing stops and is locked where you left it. Then shoot when ready. Now your D90 can act as if it's in Single or Continuous AF mode without you having to change settings all the time. This gives you more immediate control over the behavior of the AF system Try it and you won't go back!

SUMMARY - Overall I'm extremely happy with the D90! It's designed for serious shooting, but it's still fun to use; noticeably heavier than the D60, but still not a burden. You do need to be committed to carrying around a solid DSLR in the first place. Once you get used to that, you'll come to appreciate that it's more substantial because it'll be less shaky during shots. Nikon really packed it with a ton of features and customizations. Now I finally have everything I want in a DSLR, without it being overblown and overpriced. I'm actually surprising myself with some really spectacular shots.

If you have your basic photography skills down, you can make any DSLR sing, however, I believe THIS camera, because of its superb sensor and spot-on feature set, can actually help you improve your technique and get better results. You'll take more chances and push yourself farther because now you have the tools (ie. features) to help capture more difficult, more creative shots. And you didn't have to spend $3,000 to get there!

8-MONTH UPDATE: Still love this camera which hasn't lost any of its original excitement. Very reliable - never frustrating. I'm not craving an upgrade - not contemplating a switch to Canon either - I'm perfectly content. Haven't discovered any hidden quirks. In fact, the longer I use it, the more I realize how well engineered it is. The only extras I bought so far were a light monopod and a 50mm 1.8 lens.

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524 of 532 people found the following review helpful: 5.0 out of 5 stars You can tell the D90 was designed by photographers and not just engineers! Wonderful user interface and image quality!, September 28, 2008 This review is from: Nikon D90 12.3MP Digital SLR Camera (Body Only) (Camera) I am far from a professional photographer, but I take it as seriously as possible while still referring to it as a hobby. I take mostly pictures of people at events and many of my baby son without flash in low light situations.

I had been using a Nikon D40x for 1 year and very early reached my limitation with that camera. The Nikon D40x has very nice image quality, but the camera's interface is not suited for a more serious shooter who wants quick single button or dial access to such shooting parameters such as white balance, shooting mode, metering mode, etc. I also felt very limited by the D40x not having an in-body focus motor that would allow me to use non AF-I/AF-S lenses (which are lenses without the focus motor built-in).

The Nikon D40x limitations were severe enough that I was about to consider purchasing a Canon 40D until the Nikon D90 appeared just in time.

PROS:

1. Fantastic set of separate buttons on the camera to control parameters like ISO, white balance, metering, autofocus, image quality, shooting mode, etc.
2. Two command dials
3. High resolution 920K pixel LCD screen (like the one on the Nikon D300)
4. 12.3 megapixel CMOS sensor
5. Low noise high ISO capability (for low light shooting) I can shoot ISO 1600 with good image quality with this camera, while on my D40x I could only shoot with ISO 400 and obtain acceptable IQ. I will even use ISO 3200 frequently with very usable results!
6. Separate top-viewing LCD screen in addition to the rear high res screen, to show shooting parameters constantly
7. In-body focus motor which allows the use of Nikon's non AF-I/S lenses, including wonderful and CHEAP prime lenses such as the Nikkor 50mm 1.8 (~$100 lens!)
8. Continuous shooting of 4.5 frames per second
9. Small size, although larger than the D40/D40x/D60, it is still substantially smaller in the hand than the D300/D3
10. 720p 24fps MPEG video shooting capability with incredible ability to use depth of field that I cannot achieve with my Sony High-Def camcorder.
11. Eleven auto-focus points (not as nice as the 51 points on the D300, but substantially better than my D40x with its 3 points)
12. GPS option
13. HDMI output
14. Enormous number of options to customize camera and shooting settings to fit your style of shooting
15. Fantastic image quality right out-of-box if you don't want to do any post processing
16. Terrific build quality
17. Top notch camera ergonomics (but this will be a very personal opinion that differs for each shooter)

CONS:

1. "Rolling shutter" phenomenon while recording video: The D90 CMOS sensor has the same problem that other CMOS video recorders have when recording video. If you move the camera, especially horizontally, you get a "jelly" or "rubberbanding" effect where the image wobbles significantly. It is nice to have the video features, which looks very sharp at 720p, but it is NOT a substitute for a video camera. If you use a tripod, and do not do quick zooms/pans, the video quality is excellent. Without a tripod, however, you may get nauseous watching a wobbly video. The sound is also in monoaural.
2. 1/200 flash synch: Not a problem for me, but it might be for you.
3. No weather sealing: This is found on the Nikon D300/D3 and even on similarly priced models from other camera companies
4. The buffer will fill up after about 8 continuous RAW + JPG (FINE) shots. This number differs depending on the shooting parameters that you will choose. If you shoot primarily JPG, the buffer seems to allow a very large number of continuous shots, but I have not quantified this for JPG only.

TIPS:

1. Get the FREE Nikon ViewNX software from Nikon's site as your 1st step in your workflow. This will let you examine your RAW images that you can process for either Nikon CaptureNX2 to do further RAW processing or just export to JPG or TIFF for a JPG/TIFF editor such as PhotoShop.
2. Recommend buying the Nikon CaptureNX2. It is a RAW converter (if you shoot in RAW) that will read the camera settings properly for export to JPG or TIFF. Capture NX2, however, is not as slick as the Adobe products and Capture NX2 requires a fairly powerful computer, otherwise it can run pretty slowly on a PC > 3 years old.
3. If you use JPEGs out-of-camera, consider increasing the sharpness above the default 3 or 4. Nikon uses a very conservative sharpening default setting. Nikon has also decided to change the default JPEG images to match the higher end D3/D700/D300 cameras which produce more neutral images. Consequently, the D90 images that are less punchy than the D40/D40x/D60/D80, so you may also want to turn up the in-camera saturation and contrast.

The Nikon D90 has all of the interface features that serious and even professional photographers need with wonderful image quality.

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374 of 380 people found the following review helpful: 5.0 out of 5 stars Wow! is all I can say...., November 29, 2008 This review is from: Nikon D90 12.3MP Digital SLR Camera (Body Only) (Camera) There are plenty of reviews out there, and I don't want to be redundant. So here are some helpful points that I had a hard time ferreting out when doing my research before pulling the trigger on this purchase, given that I was upgrading from a D60 and that I am, like many who are reading reviews on this product, not a professional:

1. I owned the D40, then the D60. So this is my third Nikon. I had trouble deciphering how my lenses, purchased for the D40/D60, would behave when used in this new model. The answer is that the D90 handles all of them perfectly. This includes lenses that have the HSM built in (the Hyper Sonic Motor is packaged in the lens, because the D40/D60 range doesn't have a built in auto-focus motor) as well as those with no internal motor. The D90 has an internal focus motor, so all lenses built for Nikon cameras will auto-focus, including the Nikon 50mm f1.8 lens that I had to manually focus in the D60.

2. The D90 is heavier, but certainly not uncomfortable to hold or carry. Weight will not be a discouraging factor in purchasing this camera.

3. The D90 takes different batteries, so any spares you have for the earlier models will not work on it. Battery life is truly outstanding. I am not even going to buy a spare battery.

4. The user interface is completely different from the D40/D60. I found it intuitive however. The functionality is just superb, much easier and more flexible. This is a pro level camera with the ease of use of a high end amateur camera.

5. Live view is a great enhancement. Really.

Overall, there is nothing I can say negative about the D90. It's everything I was hoping it would be, and it's so worth the money to upgrade. I'm selling the D60 for half what I paid - and doing it gladly - because the D90 is worth more than it's being sold for. I absolutely highly recommend it.

I also thought I would offer some lens advice, because I had trouble finding a reviewer that just cut to the chase and said "look, just do this." So, look, just do this: I do NOT recommend the kit lenses that you can obtain bundled with the D90. Get the body only, and buy yourself that Nikon 50mm f1.8 (Nikon 50mm f/1.8D AF Nikkor Lens for Nikon Digital SLR Cameras). It's a no-brainer at the price point, and the images I have already achieved have been just excellent. For the rest of your lenses, I highly recommend Sigma. I own the 18-200 (Sigma 18-200mm f/3.5-6.3 DC Lens for Nikon Digital SLR Cameras), the 10-20 (Sigma 10-20mm f/4-5.6 EX DC HSM Lens for Nikon Digital SLR Cameras), and the 150-500 (Sigma 150-500mm f/5-6.3 AF APO DG OS HSM Telephoto Zoom Lens for Nikon Digital SLR Cameras). I cannot say enough positive things about the quality of the lenses or the images. Pack the 50mm and the 18-200 superlens for normal occasions. If you can stand the extra weight, you absolutely cannot go wrong with the 10-20 for landscapes, it just pulls in everything and the quality is shocking. The 150-500 is enormous, you are not going to want to carry that thing around, but when you need it, you really need it. I captured images of my son playing in a soccer game that blew me away; could not have gotten the shots without the big lens. Get the lenses in the order I have specified if you cannot afford them all.

I have just learned all this over the past 2 years. I am no expert but I have discovered the joy of capturing great images that you just cannot get from a point-and-shoot. I think once you see the quality you can achieve with a better camera, you will be thrilled with the decision to spend the money and the energy. And Nikon has truly produced the best camera at this price point in the world. It's a pro camera with an amateur price and it's very easy to use. Words really don't do it justice; you need to experience it to understand.

Any questions, please send me a comment. Happy to help!

Update - 16 Jul 2009:

I have now taken well over 4,000 images with the D90 and can confirm that it's still all I had hoped it would be. Every time I think of something I wish I could adjust, I find that the D90 has the adjustment capability in the menu somewhere. The active D-lighting is spectacular. The noiseless photos in low-light conditions have blown me away. I don't see myself upgrading from this camera for a very long time. My technique for most situations has become as follows: snap a few images using the Auto settings. Then switch to full manual and start playing with the depth of field by adjusting ISO, aperture, and shutter speed to fit the situation. Half the time, the Auto photos are so good that I can't do much to top them in manual mode!

Update - 20 Jan 2010:

Over 10,000 photos taken with my D90. No new lenses purchased since last update. I have yet to find a situation the D90 cannot handle deftly. Over Christmas, I took a family photo of my wife's entire extended family, over 40 people involved. It was indoors, at night, with only weak overhead lights and the lights from the Christmas tree behind the group. I used an ISO of 3500, my small Nikon 50mm lens at 1.8 aperture, and my remote control (so I could be in the photo too!) Under these low light conditions, with no flash, I was able to capture 50 images in a very short time, and miraculously got several with everyone smiling and no one blinking, and out of these one was perfect! The group included several young kids who hate standing still, to name one challenge! The output was startling; in the natural light, its almost ethereal. I'm the new family hero. The reality is that this single photo is irreplaceable and worth more than the camera and lens. It could not have been accomplished with a lesser camera/lens combination, including the previous Nikons I have owned. I would venture to say that no other camera in the price range could touch what I did with the D90 in this situation. Over and over, the camera proves its worth to me. In the end, what is one fabulous photograph of your child, your vacation, or your life's important events worth?

Update - 27 April 2010:

I noticed that I forgot to mention another very useful addition to the D90 - the remote control. This device allows you to remotely trigger the shutter and I find I use it for group shots much more often than the timer, especially because I can trigger multiple shots without returning to the camera. It's very inexpensive and small (I keep it in the little pouch that it comes with, threaded into the strap, so it's always there when I need it.) Here is the item: Nikon ML-L3 Wireless Remote Control for Nikon D40, D40x, D60, D80 & D90 Digital SLR Cameras. Highly recommended!

Update - 13 May 2010:

My D90 was stolen two weeks ago. What a bummer. Anyhow, I decided to upgrade to the D700, but not because there's anything wrong with the D90. I loved it. The D700 has the FX size sensor, whereas the D90 has the DX size sensor, which is smaller. The real benefit of the FX sensor is better sensitivity, meaning higher shutter speeds at a given aperture. Of course, the D700 is more sophisticated in nearly every way, but it's also heavier and more complex to operate. It's also over $2,000 for the body only. I sprang for it. But even so, after considering carefully all the current offerings, my conclusion is that for the money, there is still no better camera than the D90.

Update - 15 Feb 2011:

I highly recommend Thom Hogan's "Complete Guide" series for the Nikon D90 (and for any other Nikons). I bought the one for the D700 and it's just incredibly useful, way more easy to understand and more thorough than the Nikon documentation. It's really essential reading; you get the why, not just the how, and practical advice on settings you should use for different situations. Thom really helped me understand why it's worth shooting in RAW (I now onluy shoot in RAW), and what tradeoffs are worth making and when (ISO vs shutter speed vs aperture). You can only get them off his website so google it. bythom dot com is the address BTW. (I don't know the guy and am not getting a kickback, I swear!!!!)

Also, I'm really enjoying having a good quality wide angle zoom, anyone who hasn't obtained one yet for their setup, I think you ought to look into it closely. I find myself using it more and more.

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Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

PowerShot SD750 Highlights

Stylish 7.1-megapixel Digital Elph with 3x optical zoom Certainly the PowerShot SD750 Digital Elph's design credentials and high-profile beauty are impossible to ignore. But a quick look beyond the iconic design reveals a camera seriously equipped for high-end performance.

The 7.1-megapixel CCD captures an extraordinary level of detail. Enlarge and crop as far as your vision takes you - you'll have all the detail you need for sharp, rich prints.

The camera's genuine Canon 3x optical zoom lens gives you all the benefits of Canon's legendary optics technologies along with the power to zoom in close. Expect clear, brilliant shots all through the zoom range.

DIGIC III image processor with improved Face Detection technology and Red-eye Correction With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What's more, DIGIC III enables Canon's newly improved Face Detection technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the PowerShot SD750 Digital Elph automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural - without scary red eyes - the camera controls exposure settings and flash, so every shot is just what you were shooting for.

Face Detection AF/AE finds multiple faces in the frame and sets the most suitable focus point when the shutter button is pressed halfway. And an additional new feature, Face Detection FE, adjusts the flash, based on a person's face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.

Red-Eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode from the LCD screen.

iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III image processor to improve focus speed and accuracy, as well as exposure and white balance.

Extra-large, high-resolution 3.0-inch PureColor LCD with scratch-resistant anti-reflection coating for easy on-camera viewing The camera's 3.0-inch LCD screen gives you the big picture, whether you're shooting, reviewing or showing off your images. This extra-durable, high-resolution screen with tough scratch-resistant coating on the anti-reflective, PureColor LCD screen offers a crisp, clear picture to make shooting, playback and using the camera's menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.

ISO 1600 and High ISO Auto to reduce image blur and expand low-light shooting capability The PowerShot SD750 Digital Elph features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.

Five movie modes including 30 fps VGA, Time Lapse and Fast Frame Rate With a highly flexible movie mode, you can create the movie that's perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also choose from Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes, and Time Lapse (640 x 480) recording at 1 or 2 sec. intervals. The PowerShot SD750 Digital Elph supports the USB 2.0 Hi-Speed standard, so you'll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.

Print/Share button for easy direct printing and downloading The PowerShot SD750 Digital Elph's Print/Share button makes direct printing easier than ever. Simply connect the SD750 Digital Elph to a Canon CP, Selphy or Pixma photo printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon Selphy compact photo printer.

Direct photo printers For desktop large-format printing, try one of the direct photo printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the direct photo printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5 x 11-inch sheets within minutes.

Compact photo printers Compact photo printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assorted paper types let you create mini or credit card size labels. You can even take select compact photo printers to a party or an outdoor picnic using an optional rechargeable battery.

Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

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