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Given the success of Canon's highly acclaimed G Series, it's no surprise that ambitious photographers have been eagerly anticipating the next model in its evolution. The wait has paid off handsomely with the introduction of the PowerShot G9. In image quality and functionality, the G9 stands above the competition with 12.1 megapixels of resolution, 6x optical zoom with Optical Image Stabilizer, and RAW mode for the ultimate in creative control. Sophisticated design and high-quality construction complement the technology and make the G9 a camera to be reckoned with.

Big Impact in a Compact Package
The PowerShot powerhouse: A class-leading 12.1-megapixel digital camera with unique Canon DIGIC III Image Processor, 6x optical zoom, and Optical Image Stabilizer.

12.1-megapixel resolution gives you plenty of rich, deep detail to work with. Blow up images to poster size, or enlarge and crop any section without fear of pixilation.

With DIGIC III, your images boast superior quality, the camera operates at top efficiency and battery life is enhanced. What's more, DIGIC III enables Canon's Face Detection Technology and red-eye correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the camera automatically pinpoints the faces in the scene and chooses the ideal focus point. The camera controls exposure settings and flash to keep every face looking bright and natural. Red eyes can be corrected during playback.

iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.

The camera is equipped with a long 6x optical zoom. Canon's own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range--even in low light--by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality.

Creative Power in Your Control
Full range of shooting and recording modes including JPEG + RAW for the ultimate in creative control.

The PowerShot G9's RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting.

25 Shooting Modes, Including 9 Special Scene Modes

Shooting Modes
Advanced presets for the best possible photos under certain conditions.

Auto
The camera chooses all the settings so you can concentrate on your subject.

P Program
Access advanced exposure compensation features while shooting mostly automatically.

Av Aperture-priority
You define the aperture to either isolate your subject or have clarity throughout the entire picture, and the camera will choose the corresponding shutter speed.

Tv Shutter-priority
You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon's noise reduction system activates to ensure low image noise.

Manual
The ultimate in creative control, you set both aperture and shutter speed manually.

C Custom
Define and store your own settings to achieve the effects you prefer.

Stitch Assist
Build awe-inspiring panoramas by neatly aligning sequential images.

Movie
Shoot in High Resolution (1024 x 768 at 15 fps), VGA (640 x 480 at 30 fps/30 fps LP), QVGA (320 x 240 at 30 fps) for up to 1 hour or 4GB, QQVGA (160 x 120 at 15 fps) for up to 3 minutes or Time Lapse (640 x 480 at 1 second/2 second intervals) for up to 2 hours.

Special Scene Modes

Portrait
The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."

Landscape
For front to back sharpness, the camera sets a small aperture.

Night Scene
For impressive sunset or nightlife shots, the camera properly exposes the background and uses slow-sync flash for the subject.

Sports
Ensure highly accurate autofocusing when shooting fast-moving subjects.

Foliage
Capture brilliant shots of autumn foliage, greenery and blossoms.

Snow
Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.

Beach
Get clear shots of people at a sunny beach without darkened faces.

Fireworks
Grab brilliant images of skyrocketing fireworks.

Aquarium
Achieve proper flash-free exposure and natural hues at indoor aquariums.

Underwater
Capture underwater images with reduced backscatter effect. (Note: Optional waterproof case WP-DC21 required for shooting any underwater images. Waterproof case not included--must be purchased separately.)

ISO 3200
Expands the user's ability to shoot in dark settings without using the flash.

Indoor
Reduce blur and improve color accuracy when shooting handheld indoors.

Kids and Pets
Reduced focusing time freezes fast-moving subjects, so you won't miss those special shots.

Night Snapshot
Get natural-looking pictures with brighter backgrounds and subjects lit by flash.

Color Accent
Choose to retain a single color in your image while other colors turn monochrome.

Color Swap
Select a color and replace it with a color you specify for special effects.

A View That's a Pure Pleasure
Optical viewfinder plus large high-quality 3.0-inch PureColor LCD II screen for bright, accurate color with greater viewing from a wider angle and with an anti-glare, anti-scratch coating.

The PowerShot G9 gives you an extra-large 3.0-inch LCD screen for excellent control when framing your shots. But size is only part of the story. Canon's PureColor LCD II offers more spectacular color, resolution, and contrast even at an angle (compared to PureColor LCD). The screen is highly durable and easy to see in any light with a scratch-resistant, anti-reflective coating. It is a perfect feature for gathering friends and family around to see your images.

3.0-Inch LCD Screen
Canon technology maximizes quality and performance.

Genuine Canon Face Detection Technology sets the focus, exposure, and flash automatically, leaving you free to compose a group, capture an unguarded moment, or coax the perfect smile. Plus the new Face Selector Button lets you select the primary face.

DIGIC III features Face Detection technologies, giving the you best possible results in any shooting situation. Face Detection AF/AE sets the focus point and exposure for the faces of your subjects. Face Detection FE adjusts the flash to correctly illuminate your subject to provide the best balance between your subject and the overall scene, eliminating the common problems of over- and underexposed faces.

And new Face Selector AF enables you to lock on and follow a specific face. The selected subject is tracked wherever the face moves in the frame.

The PowerShot G9 features ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater shooting flexibility.

Red-eye correction detects and corrects red-eye during playback. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode.

The Creative Freedom You've Wanted
Compatible with a wide range of accessories including EOS Speedlites, Canon supplementary lenses, and a waterproof case.

The PowerShot G9 is compatible with many shooting accessories, not only wide and teleconverter lenses, a waterproof case, and High-Power Flash designed for all of the PowerShot models, but also Speedlite EX series that is compatible with all EOS series SLR cameras. (Shooting accessories are not included; they must be purchased separately.) Attach a Speedlite 580EX II to the hot shoe, then you can set and control the flash on the "Flash Control" menu in the camera. With the 580EX II, the G9 is able to have extra functions such as autoflash metering, FE lock, and Flash exposure compensation. Canon's Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A waterproof case is also available for your underwater shooting.

The Complete Print Solution
Print/Share Button for easy direct printing and downloading, plus ID Photo Print and Movie Print with select PIXMA Photo Printers, CP, and SELPHY Compact Photo Printers.

The PowerShot G9's Print/Share button makes direct printing easier than ever. Simply connect the G9 to a Canon CP, SELPHY, or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button, and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SELPHY Compact Photo Printer.

What's in the box:
Canon PowerShot G9 digital camera, lithium battery pack NB-2LH, battery charger CB-2LW, MMC Plus card MMC-32MH, neck strap NS-DC6, Digital Camera Solution CD-ROM, USB interface cable IFC-400PCU, AV cable AVC-DC300

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Most Helpful Customer Reviews

559 of 567 people found the following review helpful: 5.0 out of 5 stars 500, 550, 600, 630, 700, 800, 900: Which is "the one"?, October 2, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Even though my SD110 seemed indestructible, it couldn't match the size and nimbleness of the new generation of Elves, so it was time for a replacement.

With under a hundred bucks separating the first five models, a consumer might well be in a minor dither about which to get. Currently most Amazon consumers are bucking the adage "newer is better" and going with the SD600 (which the tech people at Cnet support, giving it a rating identical to or higher than the slightly larger and heavier SD700 and recent SD800 and SD900, both with Digic III processors). Perhaps their thinking is like mine: first, its dimensions (width, depth, and height) are smaller and its weight (under 5 oz) lighter than the other six models (the 500's are the largest, and the 630, in fact, is a bit of an oxymoron: a bigger screen to accommodate failing eyes but tighter and tinier controls for those same eyes to locate and navigate); second, the 600 is the only one of the seven that maintains the original Canon Elph aesthetic of perfectly square angles at all corners of the camera (the contoured look that Canon is beginning to introduce is, I confess, a slight offense to my eye). Finally, in the category of set-up time for the first and each subsequent shot, the 600 is comparable in speed with the other models, rated a nano-second behind the 800 but better than the 900. Moreover, the price at this time is right (though don't expect this model to be around much longer). If you can live with a "mere" 6 megapixels and shoot with a sufficiently steady hand to ignore the absence of the 700's image stabilizer feature this may very well be "the one" for you. (Not for an eternity, but in our world of rapidly changing technology even an "extended honeymoon" of several years has to be considered equivalent to a lasting marriage.)

If it needs a further recommendation, my botanist son-in-law, who owns an SD500, is about to order a supply of the smaller and lighter 600's to put in the hands of his students in the field.

Postscript: Contrary to a later reviewer's claim, this camera does not have an "anti-shake" feature like the SD700. I've never had a problem with shaky pictures, but should you observe jittery images, try shooting through the viewfinder for a firmer grip (which is lacking, by the way on the SD630). As for a 6 megapixel lens vs. a higher number, only the sharpest eye would detect any difference in quality of resolution--and even then it would have to be an image blown up to wallpaper size. Finally, the cost of SD memory cards has come down by 50% in just the past several months, so it makes sense to go for the larger (1 GB) card. Also, I would spend the extra fifteen bucks for the faster speed of the Sandisk Ultra II card. (If you like to check the results of a shot the instant after exposure or if you transfer large numbers of shots to your computer at the same time, you'll notice a difference). If you're content with a conventional SD card and want to save a few additional bucks, go with Kingston (as good as Sandisk, in my experience, though I'd stay clear of Lexar, which has given me trouble).

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485 of 502 people found the following review helpful: 5.0 out of 5 stars A week in Boston - 400+ photos and not a bad one in the bunch!, May 9, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) This is my third - and possibly final - digital camera. It does everything superbly and in a size I can just throw in my pocket so it's always there. Before the SD600 I had a Canon S100 2.1 mp [a great camera] and a Sony DSC-W1 5.1 mp [a piece of $%#@ - every other image blurry].

With the Sony less than a year old, I couldn't put up with it anymore - it was time to go back to Canon so I wouldn't miss any future shots. I got the SD600 at Best Buy 1 day before leaving on a week-long trip to Boston. My 10-yr old daughter was studying the Revolutionary War in school so I was told to take a lot of photos and "Dad, make sure they aren't blurry like all those others." [She's got the old S100, so she's not worried].

Since I'd already had the old S100, the controls were familiar. Best Buy had a 1GB PNY SD chip on sale for $39, so I had room for over 500 photos, plus I picked up an extra battery.

In the week in Boston I shot day, night, flash, long exposure, high light, low light, drizzle, rain, sun, and even a short video of Morris dancers in Boston Common. Every shot was great - and not one blurry, even when the 'shaking hand' was on. I'm not sue that the image stabilization with the SD700 would be all that necessary.

I found that indoors [my greatest fear since the Sony made you worry about every shot] with reasonably good lighting I was able to turn the flash off and shoot with natural light. I've not yet had the time to play with the various modes - just straight turn it on and shoot [both of which were very quick with minimal delay].

Everyone we were with were greatly impressed by the 600's size, style, and images on the LCD - and surprised to see me turn it on end to show full screen portrait format shots [very cool]. Even friends with the SD450 [my Christmas recommendation] wanted to trade theirs in.

I was able to get over 150 shots - maybe a quarter with flash - without recharging [I just stuck the little spare in the coin pocket in my jeans and didn't worry about it].

The software's great, too. I used the old ZoomBrowser EX with the Sony, so it was nice to see this updated and much more functional. I might not have to use Irfan Skiljan's IrfanView package anymore.

I'm sure that over the summer I'll find all those bells and whistles to be entertaining, but for just taking pictures, I don't think there's anything more I'd ever want. Now if I can just find someone to take the Sony... and I'll throw in my old Omega D2 enlarger for free!

The SD600 is as close to perfect as you can get and all I'll ever need.

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38 of 38 people found the following review helpful: 5.0 out of 5 stars Great quality with a lot of versatility, November 27, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Funny how this camera seems to be tested in Boston. I bought this camera specifically for a trip to Boston. I thought my brother's SD450 was the best digital camera I've ever used, until I got the SD600.

I took TONS of pictures in different lighting and all turned out great. I shot everything from plates of food inches away to soccer games with players clear across the field.

Certain settings worked better than others for different lighting situations. It really just depends on what color tones you prefer. I prefer warmer tones and the camera worked really well. For the basic point-and-shoot shots with the setting on automatic and flash, I thought the colors were very true to life.

The video feature is really great as well. Playback is amazing on the large LCD screen. The newer version of this camera (SD630) has a larger display of 3inches but I actually prefer my 2.5inch screen. THis is because when I tried out the SD630, I'd get finger prints on the screen just trying to manuever the buttons. I don't have this problem w/ the SD600. I am able to avoid touching the screen while changing the settings on my camera.

The best thing about this camera is that it is ready almost instantly after you turn it on. No waiting for an annoying flash to warm up. It also takes a picture right away when you press the button. Hardly a delay compared to other digital cameras.

I don't have much else to add to this review that hasn't been already addressed. This camera with its numerous settings is far better than any old point-and-shoot camera. I think it's a great compromise between a professional camera and a point-and-shoot. It's quite versatile for those who like to play around with settings and effects. For the price, this camera rocks. 3 people have already been convinced into buying this camera after seeing me use it.

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Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

PowerShot SD750 Highlights

Stylish 7.1-megapixel Digital Elph with 3x optical zoom Certainly the PowerShot SD750 Digital Elph's design credentials and high-profile beauty are impossible to ignore. But a quick look beyond the iconic design reveals a camera seriously equipped for high-end performance.

The 7.1-megapixel CCD captures an extraordinary level of detail. Enlarge and crop as far as your vision takes you - you'll have all the detail you need for sharp, rich prints.

The camera's genuine Canon 3x optical zoom lens gives you all the benefits of Canon's legendary optics technologies along with the power to zoom in close. Expect clear, brilliant shots all through the zoom range.

DIGIC III image processor with improved Face Detection technology and Red-eye Correction With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What's more, DIGIC III enables Canon's newly improved Face Detection technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the PowerShot SD750 Digital Elph automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural - without scary red eyes - the camera controls exposure settings and flash, so every shot is just what you were shooting for.

Face Detection AF/AE finds multiple faces in the frame and sets the most suitable focus point when the shutter button is pressed halfway. And an additional new feature, Face Detection FE, adjusts the flash, based on a person's face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.

Red-Eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode from the LCD screen.

iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III image processor to improve focus speed and accuracy, as well as exposure and white balance.

Extra-large, high-resolution 3.0-inch PureColor LCD with scratch-resistant anti-reflection coating for easy on-camera viewing The camera's 3.0-inch LCD screen gives you the big picture, whether you're shooting, reviewing or showing off your images. This extra-durable, high-resolution screen with tough scratch-resistant coating on the anti-reflective, PureColor LCD screen offers a crisp, clear picture to make shooting, playback and using the camera's menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.

ISO 1600 and High ISO Auto to reduce image blur and expand low-light shooting capability The PowerShot SD750 Digital Elph features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.

Five movie modes including 30 fps VGA, Time Lapse and Fast Frame Rate With a highly flexible movie mode, you can create the movie that's perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also choose from Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes, and Time Lapse (640 x 480) recording at 1 or 2 sec. intervals. The PowerShot SD750 Digital Elph supports the USB 2.0 Hi-Speed standard, so you'll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.

Print/Share button for easy direct printing and downloading The PowerShot SD750 Digital Elph's Print/Share button makes direct printing easier than ever. Simply connect the SD750 Digital Elph to a Canon CP, Selphy or Pixma photo printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon Selphy compact photo printer.

Direct photo printers For desktop large-format printing, try one of the direct photo printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the direct photo printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5 x 11-inch sheets within minutes.

Compact photo printers Compact photo printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assorted paper types let you create mini or credit card size labels. You can even take select compact photo printers to a party or an outdoor picnic using an optional rechargeable battery.

Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

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337 of 346 people found the following review helpful: 5.0 out of 5 stars Excellent features, price and quality photographs!, May 15, 2009 This review is from: Nikon Coolpix L20 10MP Digital Camera with 3.6 Optical Zoom and 3 inch LCD, (Deep Red) (Electronics) I recently purchase the Nikon Coolpix L20 after lots of shopping.

I have used only Olympus cameras only up to now.

This time I wanted a smaller pocket sized camera, that still took the AA batteries, and that still gave great photos with all the features I was used to.
This camera fit the bill!

It takes 2 AA batteries, inexpensive SD memory cards and yet still delivers fantastic photos.

I have already tried all the features, and was completly happy.
I love using the different scene settings, and could not live without the video feature.
Both still and video capture worked well in both bright light and low light.
The sound playback via the camera is hard to distinquish (live music), but fine once uploaded.
I didn't really require the smile feature, but tried it out on my 3 year old, and was blown away....it really works!
The blink feature is also quite ingenious. The camera actually asks you if your subject blinked when they do, but not when they don't. This is particularly handy when taking photos of children. I would have loved this feature when I was still my daughter's yearbook photographer.

What can I say, fabulous price and awesome quality!!!
Definately worth the money.

Comparibly priced camera's that we have used, produce grainy shots.....but have not found this with this camera at all.
I would recommend this camera to anyone!

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380 of 407 people found the following review helpful: 5.0 out of 5 stars Unless you need a really long-lens telephoto and billboard sized prints, this is the perfect camera for every use, April 9, 2009 This review is from: Nikon Coolpix L20 10MP Digital Camera with 3.6 Optical Zoom and 3 inch LCD, (Deep Red) (Electronics) This is a professional camera capable of crystal clear prints worthy of publication or gallery display, up to 16x20.

And it is incredibly inexpensive for a camera of such value.

Ok, so its 3.6 optical zoom won't pick sand off an eagle's beak at a thousand yards. Okay, so it won't blow up to billboard size without loss of definition. In the real world however and everyday use this is a fine and professional level camera that will do a far better job than you expected. Better than a cell-phone.

Disguised as a point and shoot. That's what makes it very effective; people are not intimidated by it. You can get right up to them, and it looks like any other camera. Yet, it is more.

In fact, the generous three inch LCD screen means you do not have to hold it to your face. There is no optical viewfinder in any case. So you can hold it at your hip and glance down at it to compose, and snap shots while engaging the subject in small talk comfortably. I have done this effectively with Tarahumara Indian children in northern Chihuahua who normally run quickly from any camera. It works, and came out great. And that large LCD screen has a high-contrast, anti-reflection coating which keeps it clear even in strong sunlight.

This camera is an improvement over the earlier, wonderful Coolpix, such as the great 8 megapix Nikon Coolpix L18 8MP Digital Camera with 3x Optical Zoom (Ruby Red) mainly because it has ten megapix capability. The earlier accessories such as the AC adapter, the Nikon EH-65A AC Adapter, are transferable if you have a long shoot to do in one place (like a schoolful of children, which I have done) or other reason to go off-battery. Nevertheless, a pair of Energizer? e²? "AA" Lithium Batteries For digital cameras, portable audio players, and more last in here last forever.

Your old Coolpix camera pouch also still fits; use it and protect your investment. I like the Rokinon Compact Digital Camera Padded Carrying Case for Canon Powershot, Casio Exilim, Fuji Finepix, (GE) General Electric, Kodak EasyShare, Nikon Coolpix, Olympus FE Stylus, Panasonic Lumix, Pentax Optio, Sony CyberShot and Samsung Digital Cameras.

Also new here, aside from the greater megapixels, is the new Expeed image processing system specially fine-tuned for the Coolpix series "to render natural-looking pictures of incredible quality and quick response" as if the earlier system of digital processing was not fine enough! Amateur enthusiasts will find their photos reaching a new magnitude of quality; even the professional will leave his camera bag and lenses at home (okay, so she might miss her long lens, but macro here gets in to two inches).

The ISO settings are phenomenal, stretching from 64 ISO all the way out to 1600. Over twenty years ago when I was doing photo-journalism in Nicaragua, we used 64 for our slide film and 1600 was just coming on the horizon, very grainy but with a special charm for low light situations, like oil lamp, etc. Here you can do very low light and candlelight (if you do not mind some grain effect), and in fact there are special pre-sets which employ the faster ISO's effectively.

This is another expansion over the prior Coolpix L series. You can choose instead of Auto (with own its user-selected options) to use the pre-set "Scene" selections quickly and efficiently. The Scene modes now include: Portrait, Night Portrait, Sports, Landscape, Party, Beach/Snow, Sunset, Dusk/Dawn, Night Landscape, Museum, Fireworks Show, Close Up, Copy, Back Light, Panorama Assist, Food. Food is one of the new ones, and you food photo-journalists might want to try it very inexpensively yet quite well here. The rest of the modes you can figure how they are set from the title and how you might apply their settings to similar situations; know that the Nikon impression of party might be much more sedate and candle-lit than the Animal House idea. This is not cheating, to use pre-sets; this is using the tool that you have in the way it was designed. Cheating would be setting this to its auto-scene setting in which it selects the Scene mode according to
prevailing conditions, automatically. Yes, this can do it.

The panorama assist is great. You can take a series of photos in a row in either of four directions (left to right, up and down, etc.) overlapping by one third (I really appreciate the rule of thirds grid which you can bring up on the LCD, keeping the camera straight and well composed), and then unite them with the included software into one long (or tall) file. I had reason to do this the other day at a long new school. Things do not build vertical out here in the desert, but there is plenty of room for horizontal, and a special Cinerama style long photo framing. In fact you could line up your whole town along the sidewalk standing and take one long photo of everyone in town. Just find printer and paper!

With the built in macro mode you can jump right into that cactus blossom from two inches away and have perfect focus. Take a photo of that baby's toes and blow them up to 16x20. Come in close to that ant stealing cracker crumbs on your picnic. This strength of macro was recently unimaginable, and yet here you have this power within a humble, tiny and inexpensive package.

What I really love and appreciate is the SDHC compliancy. I can use as standard memory card a regular Sandisk 4GB Secure Digital SD HC Memory Card (SDSDB-4096, BULK, No Reader) and have room for 500 shots at maximum resolution. You can truly, as we used to say a quarter century ago "shoot a roll; keep a shot." Take all of the shots you can, and then pick one out to use and delete the rest. For someone who used to burn through boxes of film (at 36 shots each max) and then do the darkroom processing all night, and then find a free way to get more, this is like living in another, finer dimension. Of course, you can put even larger SD HC memory cards in here and if you ever do fill one up and have nothing more to put in there and no time to delete, this camera comes with a generous 20MB internal memory on hand.

You can hook it up to the USB port of a computer directly and use the included software, or simply pop out the SD card and plug it into a reader and into the computer. Whatever works for you, although I do not like opening and closing the battery/card hatch too much. It is very strong and durable, but in the olden days I had a habit of snapping such things and putting them back together with duct tape. This one looks remarkably resilient nevertheless and has stood up to me.

Speaking of shooting a roll to get the one picture, have you ever taken a shot to discover your subject blinked? This camera lets you know. Yes, this camera sees when your subject blinks, and lets you know, using the Smart Portrait system. It also automatically fixes your red-eye special. You'll never see red eye again. It finds faces, and automatically focuses on them, up to a dozen at a time. It can also snap the shutter automatically when someone finally dares to smile. And the D-lighting will save those details otherwise lost in darkness.

As you can see, this camera does everything for you but serve as photo agency selling your work to Vogue or GQ. A great camera at a small price. What can go wrong?

The most amazing thing for me, of course, an old still shooter, is that this tiny camera is also a video camera, with built in mike, and a built in speaker for playback. You can make movies with this at two different resolutions, either for television playback at 640x480 or laptop at 320x240 (good for e-mailing). These home movies are truly sharp, with the same excellent back to front focus as the photos, and surprisingly high quality sound. The length of the movie is limited only to the size of your SDHC card; you could easily go for feature length! Using .AVI files, it can easily be edited as well.

Of course, this camera comes with the standard sized screw input for mounting on a tripod. I have used it on my Targus 66-inch heavy-duty tripod. Looks a little small up there, but it works great. You will really appreciate the steadiness a tripod always brings, and the freedom, no less with this great camera, which so thoughtfully has a tripod screw-in.

Hey, for the same price, this is way better than a cell phone!

Too bad this one is so, well, red!

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61 of 64 people found the following review helpful: 4.0 out of 5 stars Great waterproof camera! Above-average 'digital' camera, May 31, 2007 This review is from: Pentax Optio W30 7.1 MP Digital Camera with 3x Optical Zoom (Electronics) All the reviews & manufacturer hype the water/dust-proofness of this camera, which is fine, because it does a great job, is easy to use, and is fairly sturdy. However, we used to have a Canon SD400, but we wanted a waterproof camera. This W30 is a good camera, but I think we were spoiled with the picture/lens-quality of the Canon.

Good: Water/Dust proof with not much fuss. It just works! Easy to use. Compatible with new SDHC cards (my current card is 8GB!!!). But 16GB and 32GB are on the way. This allows a HUGE number of photos and video to be recorded on ONE CARD. Just make sure to keep spare batteries. One battery will 'roughly' last about 1 hour of video and a 100-200 photos (some with/without flash).

There are no external moving parts (such as lens extension)to get trapped with dust/water, since the lens 'extension' is internal.

The menu/capture-speed is good, but not 'quite' as fast as Canon's Digic II cameras (like SD400, or later).

USB connection is a standard USB mass-storage device, so it should work on Windows, Mac, or Linux with no problems (thank goodness).

Also, this camera seems to be pretty durable/tough. I dropped it several times on CEMENT/concrete, and it got a few cosmetic scratches on the case, but all operations and the lens were fine. But I might put a plastic screen protector on the 2.5" screen to prevent scratches. Another recommendation is to get a silicon skin for pool/underwater use (to prevent case scratches from the pool/rocks), or a neoprene case to keep the lens intact while traveling (since there is NO LENS COVER).

Bad: Video uses Quicktime-MOV files, which is good (potentially), but it's a bit grainy, and the compression is not great. But I can fit a 'rough estimate' of maybe 2-3+ hours of video on an 8GB card.

Ugly: Lots of grain/noise in low-light or even some normal daylight photos. You can workaround this by manually changing the ISO speed to 64, 100, or 200 to reduce noise, but then you may get some blurry shots (due to camera/object motion).

OVERALL: If you don't need a waterproof camera, get a Canon SD-series (they're EXCELLENT). But if you need/want something more 'safe', get this camera. It's easily the best water/dust-proof camera on the market.

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48 of 54 people found the following review helpful: 1.0 out of 5 stars Not very waterproof at all!, July 29, 2007 This review is from: Pentax Optio W30 7.1 MP Digital Camera with 3x Optical Zoom (Electronics) While initially impressed with the camera, my enthusiasm waned when I took it snorkeling. 20 minutes later the camera was rendered inoperable as water had entered the battery compartment. I contacted Amazon who - to their credit - sent me a replacement camera immediately at no charge. Sadly the camera suffered the same fate as the first - except this time water found its way into the screen within the first minute of submersion. I again contacted Amazon who informed that
"As it seems that the problem with this item is more widespread than
we originally thought, we are not able to send another replacement.
We will gladly refund you in full for the return of this item.
please return the set." Fair enough. I then placed an order for the SeaLife ECOshot SL321

So, excellent customer service from Amazon, dissapointing product from Pentax.

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24 of 27 people found the following review helpful: 5.0 out of 5 stars Great Improvement, March 24, 2007 This review is from: Pentax Optio W30 7.1 MP Digital Camera with 3x Optical Zoom (Electronics) I bought the W20 early this year for a month we spent in Hawaii. It was a great camera. Long story short, I lost it in the ocean. I just picked up a W30 while on business in Hong Kong. It is much faster than the w20. I haven't taken it underwater yet but the image stabilization works well and did I mention it powers up amazingly fast. Great product. Help other customers find the most helpful reviews Was this review helpful to you? 
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310 of 314 people found the following review helpful: 5.0 out of 5 stars Superb point 'n shoot is just a notch below a DSLR, August 29, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) In the past, I've owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special.

The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program.

The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well.

The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive.

Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it's unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it.

Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand. The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I've used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits.

At about 1-1/2 pounds, the FZ-50 is a joy to carry for long periods.

The menu system is very accessible and quick and easy to adjust.

The few scene modes I tried worked well. Shooting pictures from a car moving at 60 miles per hour worked surprisingly well in the sports action mode.

Shutter lag is remarkably slight: the Panasonic Venus III engine lives up to its billing. Response is not up to the level of a Nikon or Canon DSLR, but it is certainly faster than any other midlevel digital camera I've used. Burst rate of about one frame per second are routinely attainable.

The FZ-50 will do RAW, but it is on the slow side. Either use an extremely fast SD card or avoid RAW where you need to be prepared for one exposure after another. JPEG files at full resolution (3,648 x 2,736 pixels) are quite good and will withstand, in my opinion, enlargement of about 4 - 5x.

I think SD card compatibility may be an issue with 4GB cards. I tried one and the camera refused to boot. A variety of 2GB cards worked without a problem.

The battery is rated for 360 shots between images. The test used by manufacturers uses one shot every 30 seconds, I believe. My experience with the battery didn't allow for more than 300 shots before the warning indicator started flashing. I don't know how many more shots I could have gotten, but I would definitely advise having a second battery for this camera.

I did not try the movie mode, so I can't comment on that.

Overall, the FZ-50 is more than satisfactory in every way. It is not a replacement for a Canon or Nikon DSLR, but is in many ways more satisfying to use. It is lighter than either a Canon or a Nikon; its 12x Leica approved designed lens covers 35 - to 425mm. Image quality is superb and the OIS is fantastic. I would highly recommend the FZ-50 as a travel camera or just for everyday use.

Jerry

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291 of 297 people found the following review helpful: 5.0 out of 5 stars Superb with Fantastic Ergonomics, September 8, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) Perhaps you've heard: one of the most difficult targets for photography = birds-- super small **and** super frisky. Most texts urge you to buy a dSLR, with a VERY long AND fast zoom. Such lenses are heavy, big, 4-figure expensive AND require stabilization. To outfit yourself accordingly, you're looking at a minimum 2 grand outlay (camera body, walk-around lens, fast super-zoom lens, tripod, etc)...........................

On the other hand, this 10mp all-in-one camera STARTS with a built-in 12x zoom. This yields the 35mm equivalent of a 35mm to 420mm lens, WITH an aperture of f/2.8 to 3.7. In English: fast, and with serious reach. Yet, there's a delightful surprise: you can EASILY drop down to 5mp, getting in return a 17x OPTICAL zoom. Bird still too far away? Drop the camera's resolution down to 3mp--- now you've got a 21.4x OPTICAL zoom. This is NO software-based gimmick, folks, as the quality of the image remains incredible throughout. The camera simply hones in on the central image (i.e., the central 5mp or 3mp area), cropping out the excess sides, thereby effectively increasing the optical zoom with NO image deterioration. As I already have Panasonic's LT55 telephoto 1.7x converter lens (used with my now-old FZ7 camera), I can just screw that directly onto the FZ50 lens, for still more reach. And again, none of this is "digital", so we're still talking super optical quality throughout the reach. Keep in mind-- this is all **with** image stabilization! It's so very good / crisp/ detailed, that I now **keep** it at 3mp whenever I'm shooting birds, so I can enjoy that mind-blowing extra optical zoom.

Now, if some of the technical jargon in the preceding paragraph spooks you, know this: I purchased my first digicam (FZ7) a few months ago. I knew nadda, photographically speaking. But I added "PCPhoto Digital Zoom Camera Handbook" to my cart, enjoyed the easy but super-informative read during a weekend, and was shooting up a storm in no time, actually KNOWING what the different options are all about. Later, when I started wondering about actual "technique," a quick trip to my local bookstore introduced me to a UK monthly magazine, "Digital Camera" --- truly useful info in every issue, not to mention the included teach-me CD with videos.

If you prefer to just point and shoot, there's a "auto" mode for you. If you like scene modes, you'll find plenty here from which to choose, including night scene, fireworks scene, and party scene. There's a zoom ring, instead of a moving lens jutting in and out. If you prefer to sometimes indulge manual focus, you'll love the new focus ring on the lens. Nice touch: the system auto-magnifies the target as you rotate the focus ring, encouraging maximum sharpness.

That's the thing about this ultra sweet package: nice touches abound, making for an marveloously smooth and easy user experience. There are two dial rings, which you manipulate with your third finger and thumb (as index finger sits in shutter release). Both dial rings are to the right of the camera, one in front and the other in the back. Ergonomically, this means that your eye need never leave the electronic viewfinder (or LCD) in order to tweak exposure. These can be customized, allowing one to no-think change aperture and exposure compensation on the fly, with a simple, quick twirl of a dial ring (the selections/result are visible on the EVF/LCD). A "function" button allows equal ease in tweaking white balance, flash, bracketing, ISO sensitivity and more. Read: no hunting thru the system menu!

Want to add an external flash? No problem-- there's a hot shoe. Like to crop pics within the camera itself? Do it in "playback" mode-- it's your option as to whether to retain or trash the original. Want to save your tweaking settings as an "option"? Use one of the 3 personal customization slots available. Prefer an EVF? Got it. Want a move-it-around sharp LCD? Wish granted. Wanna zoom your pics during playback, to doublecheck for sharpness? Also dirt easy, via a max 8x zoom. Wear glasses? So what, there's a diopter adjustment dial next to the EVF. You can even get an optional shutter release cord.

55mm filters, as well as the LT55 teleconverter for the FZ7, work fine here without a special converter-- just screw the add-on to the FZ50 lens itself. But it's an either-or proposition, i.e., can't use a circular polarizer with the teleconverter lens. Small loss, given the series of optional built-in optical zooms you can get from this beauty.

Third party batteries work just fine. Just look for a CGR-S006A equivalent. (I got cheapie DynaMax-- works great.) The charger is ultra-convenient. Not quite the size of a deck of cards, it just plugs into an outlet -- no cords. I always have one battery in it at home, so switching is a no sweat/delay deal (pop in and out). Very healthy battery life also (more than 300 pics, despite keeping the system at "10 minutes")!

One negative: while there is a burst mode, it's rather slow. That irked me, but everything else is so profoundly sweet, that I've opted to live with it. Just too much incredible goodness here for me to elevate this one item to deal-breaker status.

One special note: if you just start shooting when you get the camera, you might be disappointed. The pics may appear softer than you anticipate. Go into the menu, select "Picture Adjustment", and tweak saturation, contrast, sharpness and noise reduction until you get a personally satisfying result. Worth the extra effort!

Still not sure about coughing up your hard-earned dough for the FZ50? Yes, it's a little cheaper elsewhere, but check out Amazon's return page (Help >> Return Policy >> Product Specific Policies >> Camera & Photo) -- it confirms a very generous 30-day return policy, from date of receipt. My bet is that, like me, you'll quickly adopt this baby as your own, tossing the Amazon box long before that 30 day period expires. And, you'll never look back.

-------------In the Box
camera (duh!)
32mb SD card
battery
battery charger
USB connection cable
AV cable
CD-ROM
Shoulder strap (nice!)
lens cap
lens hood

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90 of 91 people found the following review helpful: 4.0 out of 5 stars Superior advanced digicam, October 19, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) This is my first Panasonic camera so I am coming to this completely objectively. People seem to be divided into two groups regarding the FZ50 (and by extension, most of Panasonic's recent digicams) - those who find it's image quality impressive despite it's limitations and enjoy it's superiority in most other areas and those who feel the FZ50 should have been a lot more than it is, lacking the output to back up it's DSLR stylings and not being a revolutionary upgrade over the FZ30. I stand somewhere in the middle but leaning more towards the first view.

The fact is, the FZ50 is a great bridge / mega zoom all-in-one digicam. The huge 12x focal range really is liberating and I just could not go back to a measly 3x zoom ever again. The superior quality of the Leica lens, which really is the main selling point is not to be underestimated - it's very sharp, producing next to no chromatic aberrations with truly effective stabilisation and I think is far superior to the lens of current competition. As everyone points out, to get this quality of (stabilised) lens over such a huge focal range for a DSLR would usually require more than one bulky lens and would probably cost well over a $1000, so you can't really find anything to grumble about here.

I absolutely love the manual zoom and focus, which means you can fine tune to a degree that you just couldn't with a mechanical zoom - it's also silent and saves valuable battery power. I've found colour representation in the photos to be realistic although I must say that on every digital camera I've used, photos have never appeared quite how my eyes saw the original scene colour wise. I've found auto white balance to do a good job in most situations so far and this can also be fine tuned when in manual mode. The flash output can also be set to varying degrees, which is useful when you want to retain a more natural look in dimly lit conditions. The ergonomics as everyone points out are also great, the FZ50 feels comfortable and your hand position will feel natural around it.

The flexibility of the twist out and swivel LCD screen is also not to be underestimated, allowing more versatile shooting angles than a fixed screen would give you. I really wish the screen could have been bigger though - I'm sure Panasonic could have extended it to 2.5" as there is a border around the screen which could have possibly been used up with extra pixels. However, the screen is great. At 207K pixels, everything is nice and sharp and there is no ghosting unless in very dim light. I am a little confused though as even though the EVF has a higher resolution than the LCD screen at 235K pixels, it is very noticeably less detailed in both colour and sharpness - can anybody enlighten me by leaving a comment?

And so we come to image quality - the real bone of contention between the two camps. I have to say that I agree with a lot of those who complain about Panasonic's decision to up the pixel count from the FZ30 to 10mp whilst still using the same sized sensor, which is a fraction of the size of a DSLR. The (now infamous) Venus 3 engine covers the noise well but as others will point out, at the cost of smudging out fine detail. Unfortunately, when Panasonic in their FZ50 press release said that high ISO noise levels were much improved over the FZ30, they didn't quite mean they had made a breakthrough with sensor technology, they simply meant they had developed a better way to hide the noise!

Having said that, my photos have really impressed me with great clarity and colour and the main digicam review sites have pointed out that the image quality is above average in this anyway superior class of consumer digicam, and you can see this from their test shots. Also, if you go onto some of the Panasonic forums such as at dpreview you'll find some great examples of what can be achieved with the FZ50 and I'm sure you'll be really impressed. And at low ISO 100, some comparison tests show the FZ50 to give lower end DSLR's like the XT a good run for their money! But you do have to ask what is the point of putting in 10 megapixels if you have to print and view at sizes that a lower megapixel count would give you because when viewed at 100%, the effects of the heavy noise reduction can look pretty ugly. I would have much preferred a 6mp FZ50 if that would have resulted in less noise for the Venus 3 to work with. If I'm right in saying that a larger sensor would then result in a smaller focal range then Panasonic have probably tried to get the best from all angles and successfully so - however, Fuji have shown that great strides in sensor technology can be achieved.

To conclude, the FZ50 is a great advanced digicam and really impresses in all areas. It's a lot of fun to use because it's so comfortable and makes such a wide range of shots possible not to mention being extremely responsive and quick. The effects of the heavy noise reduction will only be an issue if you plan on viewing and printing large and using the high ISO's but otherwise image quality is great. For the advanced consumer who wants the best there is before the expense and bulk of a DSLR, then the FZ50 is the one to choose.

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