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310 of 314 people found the following review helpful: 5.0 out of 5 stars Superb point 'n shoot is just a notch below a DSLR, August 29, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) In the past, I've owned or used several Panasonic Lumix models. All were good digital cameras. The FZ-50, however, is something very special.

The Leica approved lens design is, as always, superbly sharp. From a butte with a 50+ mile view, landscapes of wheat fields were crisp and highly detailed and the 10 megapixel images withstood enlargement well. Color fidelity is also excellent though a bit on the muted side: easy enough to quickly correct in any image editing program.

The new optical image stabilization (OIS) algorithm which compensates for both hand shaking and subject movement is absolutely brilliant and works incredibly well.

The ability to shoot at ISO values up to 1,600 goes hand in hand with the new OIS abilities. No one could resist testing a handheld digital camera in a dim environment at ISO 1600. Needless to say, the images are noisy. But at ISO 1600, what would you expect? Handheld photos shot at 1/20th of a second at ISO 1600 in a dim restaurant were filled with both detail and noise. Remarkably the color balance was very well-handled: the incadescent restaurant lights were recorded faithfully along with the neon and halogen lamplight streaming in through the blinds from outside. Very, very impressive.

Much of the noise could be ameliorated in Photoshop or similar programs with appropriate plug-ins. The high-speed capability is well worth the trade for noisy images. Purists may want noiseless images at ISO 1600, but it's unlikely they will ever get it. Practical photographers, on the other hand, will definitely appreciate the capability and undoubtedly will exploit it.

Ergonomically, the FZ-50 is practically a work of art. All of the frequently used controls are accessible with the right hand. The enlarged hand grip is just perfect for my large hands and the shutter release is perfectly positioned, something I am not able to say about most of the digital cameras I've used. The electronic viewfinder is sharp and is boosted for low-light focusing. (There is also an AF-assist lamp.) The flip-out LCD may be positioned for high and low angle shooting or reversed for self-portraits.

At about 1-1/2 pounds, the FZ-50 is a joy to carry for long periods.

The menu system is very accessible and quick and easy to adjust.

The few scene modes I tried worked well. Shooting pictures from a car moving at 60 miles per hour worked surprisingly well in the sports action mode.

Shutter lag is remarkably slight: the Panasonic Venus III engine lives up to its billing. Response is not up to the level of a Nikon or Canon DSLR, but it is certainly faster than any other midlevel digital camera I've used. Burst rate of about one frame per second are routinely attainable.

The FZ-50 will do RAW, but it is on the slow side. Either use an extremely fast SD card or avoid RAW where you need to be prepared for one exposure after another. JPEG files at full resolution (3,648 x 2,736 pixels) are quite good and will withstand, in my opinion, enlargement of about 4 - 5x.

I think SD card compatibility may be an issue with 4GB cards. I tried one and the camera refused to boot. A variety of 2GB cards worked without a problem.

The battery is rated for 360 shots between images. The test used by manufacturers uses one shot every 30 seconds, I believe. My experience with the battery didn't allow for more than 300 shots before the warning indicator started flashing. I don't know how many more shots I could have gotten, but I would definitely advise having a second battery for this camera.

I did not try the movie mode, so I can't comment on that.

Overall, the FZ-50 is more than satisfactory in every way. It is not a replacement for a Canon or Nikon DSLR, but is in many ways more satisfying to use. It is lighter than either a Canon or a Nikon; its 12x Leica approved designed lens covers 35 - to 425mm. Image quality is superb and the OIS is fantastic. I would highly recommend the FZ-50 as a travel camera or just for everyday use.

Jerry

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291 of 297 people found the following review helpful: 5.0 out of 5 stars Superb with Fantastic Ergonomics, September 8, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) Perhaps you've heard: one of the most difficult targets for photography = birds-- super small **and** super frisky. Most texts urge you to buy a dSLR, with a VERY long AND fast zoom. Such lenses are heavy, big, 4-figure expensive AND require stabilization. To outfit yourself accordingly, you're looking at a minimum 2 grand outlay (camera body, walk-around lens, fast super-zoom lens, tripod, etc)...........................

On the other hand, this 10mp all-in-one camera STARTS with a built-in 12x zoom. This yields the 35mm equivalent of a 35mm to 420mm lens, WITH an aperture of f/2.8 to 3.7. In English: fast, and with serious reach. Yet, there's a delightful surprise: you can EASILY drop down to 5mp, getting in return a 17x OPTICAL zoom. Bird still too far away? Drop the camera's resolution down to 3mp--- now you've got a 21.4x OPTICAL zoom. This is NO software-based gimmick, folks, as the quality of the image remains incredible throughout. The camera simply hones in on the central image (i.e., the central 5mp or 3mp area), cropping out the excess sides, thereby effectively increasing the optical zoom with NO image deterioration. As I already have Panasonic's LT55 telephoto 1.7x converter lens (used with my now-old FZ7 camera), I can just screw that directly onto the FZ50 lens, for still more reach. And again, none of this is "digital", so we're still talking super optical quality throughout the reach. Keep in mind-- this is all **with** image stabilization! It's so very good / crisp/ detailed, that I now **keep** it at 3mp whenever I'm shooting birds, so I can enjoy that mind-blowing extra optical zoom.

Now, if some of the technical jargon in the preceding paragraph spooks you, know this: I purchased my first digicam (FZ7) a few months ago. I knew nadda, photographically speaking. But I added "PCPhoto Digital Zoom Camera Handbook" to my cart, enjoyed the easy but super-informative read during a weekend, and was shooting up a storm in no time, actually KNOWING what the different options are all about. Later, when I started wondering about actual "technique," a quick trip to my local bookstore introduced me to a UK monthly magazine, "Digital Camera" --- truly useful info in every issue, not to mention the included teach-me CD with videos.

If you prefer to just point and shoot, there's a "auto" mode for you. If you like scene modes, you'll find plenty here from which to choose, including night scene, fireworks scene, and party scene. There's a zoom ring, instead of a moving lens jutting in and out. If you prefer to sometimes indulge manual focus, you'll love the new focus ring on the lens. Nice touch: the system auto-magnifies the target as you rotate the focus ring, encouraging maximum sharpness.

That's the thing about this ultra sweet package: nice touches abound, making for an marveloously smooth and easy user experience. There are two dial rings, which you manipulate with your third finger and thumb (as index finger sits in shutter release). Both dial rings are to the right of the camera, one in front and the other in the back. Ergonomically, this means that your eye need never leave the electronic viewfinder (or LCD) in order to tweak exposure. These can be customized, allowing one to no-think change aperture and exposure compensation on the fly, with a simple, quick twirl of a dial ring (the selections/result are visible on the EVF/LCD). A "function" button allows equal ease in tweaking white balance, flash, bracketing, ISO sensitivity and more. Read: no hunting thru the system menu!

Want to add an external flash? No problem-- there's a hot shoe. Like to crop pics within the camera itself? Do it in "playback" mode-- it's your option as to whether to retain or trash the original. Want to save your tweaking settings as an "option"? Use one of the 3 personal customization slots available. Prefer an EVF? Got it. Want a move-it-around sharp LCD? Wish granted. Wanna zoom your pics during playback, to doublecheck for sharpness? Also dirt easy, via a max 8x zoom. Wear glasses? So what, there's a diopter adjustment dial next to the EVF. You can even get an optional shutter release cord.

55mm filters, as well as the LT55 teleconverter for the FZ7, work fine here without a special converter-- just screw the add-on to the FZ50 lens itself. But it's an either-or proposition, i.e., can't use a circular polarizer with the teleconverter lens. Small loss, given the series of optional built-in optical zooms you can get from this beauty.

Third party batteries work just fine. Just look for a CGR-S006A equivalent. (I got cheapie DynaMax-- works great.) The charger is ultra-convenient. Not quite the size of a deck of cards, it just plugs into an outlet -- no cords. I always have one battery in it at home, so switching is a no sweat/delay deal (pop in and out). Very healthy battery life also (more than 300 pics, despite keeping the system at "10 minutes")!

One negative: while there is a burst mode, it's rather slow. That irked me, but everything else is so profoundly sweet, that I've opted to live with it. Just too much incredible goodness here for me to elevate this one item to deal-breaker status.

One special note: if you just start shooting when you get the camera, you might be disappointed. The pics may appear softer than you anticipate. Go into the menu, select "Picture Adjustment", and tweak saturation, contrast, sharpness and noise reduction until you get a personally satisfying result. Worth the extra effort!

Still not sure about coughing up your hard-earned dough for the FZ50? Yes, it's a little cheaper elsewhere, but check out Amazon's return page (Help >> Return Policy >> Product Specific Policies >> Camera & Photo) -- it confirms a very generous 30-day return policy, from date of receipt. My bet is that, like me, you'll quickly adopt this baby as your own, tossing the Amazon box long before that 30 day period expires. And, you'll never look back.

-------------In the Box
camera (duh!)
32mb SD card
battery
battery charger
USB connection cable
AV cable
CD-ROM
Shoulder strap (nice!)
lens cap
lens hood

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90 of 91 people found the following review helpful: 4.0 out of 5 stars Superior advanced digicam, October 19, 2006 This review is from: Panasonic DMC-FZ50 10.1MP Digital Camera with 12x Optical Image Stabilized Zoom (Black) (Electronics) This is my first Panasonic camera so I am coming to this completely objectively. People seem to be divided into two groups regarding the FZ50 (and by extension, most of Panasonic's recent digicams) - those who find it's image quality impressive despite it's limitations and enjoy it's superiority in most other areas and those who feel the FZ50 should have been a lot more than it is, lacking the output to back up it's DSLR stylings and not being a revolutionary upgrade over the FZ30. I stand somewhere in the middle but leaning more towards the first view.

The fact is, the FZ50 is a great bridge / mega zoom all-in-one digicam. The huge 12x focal range really is liberating and I just could not go back to a measly 3x zoom ever again. The superior quality of the Leica lens, which really is the main selling point is not to be underestimated - it's very sharp, producing next to no chromatic aberrations with truly effective stabilisation and I think is far superior to the lens of current competition. As everyone points out, to get this quality of (stabilised) lens over such a huge focal range for a DSLR would usually require more than one bulky lens and would probably cost well over a $1000, so you can't really find anything to grumble about here.

I absolutely love the manual zoom and focus, which means you can fine tune to a degree that you just couldn't with a mechanical zoom - it's also silent and saves valuable battery power. I've found colour representation in the photos to be realistic although I must say that on every digital camera I've used, photos have never appeared quite how my eyes saw the original scene colour wise. I've found auto white balance to do a good job in most situations so far and this can also be fine tuned when in manual mode. The flash output can also be set to varying degrees, which is useful when you want to retain a more natural look in dimly lit conditions. The ergonomics as everyone points out are also great, the FZ50 feels comfortable and your hand position will feel natural around it.

The flexibility of the twist out and swivel LCD screen is also not to be underestimated, allowing more versatile shooting angles than a fixed screen would give you. I really wish the screen could have been bigger though - I'm sure Panasonic could have extended it to 2.5" as there is a border around the screen which could have possibly been used up with extra pixels. However, the screen is great. At 207K pixels, everything is nice and sharp and there is no ghosting unless in very dim light. I am a little confused though as even though the EVF has a higher resolution than the LCD screen at 235K pixels, it is very noticeably less detailed in both colour and sharpness - can anybody enlighten me by leaving a comment?

And so we come to image quality - the real bone of contention between the two camps. I have to say that I agree with a lot of those who complain about Panasonic's decision to up the pixel count from the FZ30 to 10mp whilst still using the same sized sensor, which is a fraction of the size of a DSLR. The (now infamous) Venus 3 engine covers the noise well but as others will point out, at the cost of smudging out fine detail. Unfortunately, when Panasonic in their FZ50 press release said that high ISO noise levels were much improved over the FZ30, they didn't quite mean they had made a breakthrough with sensor technology, they simply meant they had developed a better way to hide the noise!

Having said that, my photos have really impressed me with great clarity and colour and the main digicam review sites have pointed out that the image quality is above average in this anyway superior class of consumer digicam, and you can see this from their test shots. Also, if you go onto some of the Panasonic forums such as at dpreview you'll find some great examples of what can be achieved with the FZ50 and I'm sure you'll be really impressed. And at low ISO 100, some comparison tests show the FZ50 to give lower end DSLR's like the XT a good run for their money! But you do have to ask what is the point of putting in 10 megapixels if you have to print and view at sizes that a lower megapixel count would give you because when viewed at 100%, the effects of the heavy noise reduction can look pretty ugly. I would have much preferred a 6mp FZ50 if that would have resulted in less noise for the Venus 3 to work with. If I'm right in saying that a larger sensor would then result in a smaller focal range then Panasonic have probably tried to get the best from all angles and successfully so - however, Fuji have shown that great strides in sensor technology can be achieved.

To conclude, the FZ50 is a great advanced digicam and really impresses in all areas. It's a lot of fun to use because it's so comfortable and makes such a wide range of shots possible not to mention being extremely responsive and quick. The effects of the heavy noise reduction will only be an issue if you plan on viewing and printing large and using the high ISO's but otherwise image quality is great. For the advanced consumer who wants the best there is before the expense and bulk of a DSLR, then the FZ50 is the one to choose.

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1,202 of 1,216 people found the following review helpful: 5.0 out of 5 stars Nice upgrade of the popular Digital Rebel Series!, September 12, 2006 [This is the same review I posted for the kit. If you're getting the body because you don't like the 18-55 lens, keep in mind that some dealers offer this camera in a kit with the much nicer 17-85 USM IS (image stabalization) zoom.]

The new Digital Rebel XTi camera should appeal to a wide variety of users: those wishing to upgrade from a point & shoot digital, or those wishing to improve upon their first generation digital SLRs. Features and value make this a 5-star camera, but it won't be everyone's cup of tea.

Compared to the previous Digital Rebel XT, important improvements are:

1) 10.1 megapixels. In digital camera circles, this is like saying a car has more horsepower than an older car. While this alone doesn't mean "better" pictures, in reality, combined with other improvements in hardware & software, the results typically are better.;

2) 2.5" LCD panel. This alone has more than one advantage. The obvious first one is that our pictures look larger in review. The second, and for someone approaching 50 (like myself), is that the LCD is now used for all the camera's data (shutter speed, aperture, shots left, etc.). It's much easier to read than the small LCD typically located on the top of the cameras. It might use up the batteries quicker, but, heck, if you can see the info this much easier, then so be it. One complaint, it does not appear that the data rotates when you do verticals (like the Sony Alpha 100).;

3) 9-point AF. The number of points are improved from 7, but the real key here is that it's the system from the 30D, which had a much higher degree of accuracy than the previous Rebels.;

4) Picture Styles. I didn't really appreciate them at first, but simply put, this is like the days of film, when we could use a "portrait" film or "landscape" film. For those that don't like to do a lot of computer work, these can be VERY handy in getting the right look in the camera.;

5) Dust cleaning system. OK, I think the dust problem will probably be a little overblown, now that Canon offers a solution, but it is a real, if not great, threat. Additionally, the way Canon has implemented it is second to none. The first is through hardware. An ultrasonic filter can simply shake the dust off. Second is through software. If you spot a nasty piece that won't shake off, you can do a reference shot, and have the dust removed by software on your computer.;

6)The grip has been improved a little. The rubber on the grip is improved, and an anti-slip strip has been placed on the back where the right thumb goes.

Most all other things Canon is know for still exists. The camera focus fast and quietly. Camera operations are quick and easy to locate and use. Pictures look great.

Now for the other side. This is an unusual time in that all the big players are comming out with a 10 megapixel camera at the same time, so the Canon has some stiff competition. Here goes a simple comparison.

1) Compared to the other two cameras already available, the Sony A100 and Nikon D80 (both also 5-star cameras), the XTi is considerably smaller, and somewhat lighter. Some will like this, even some with medium to medium-large hands. But most people with larger, and some with somewhat smaller hands may prefer the other two choices.;

2) The battery is somewhat smaller than its rival's, and may drain a bit faster due to the LCD being used for info all the time.;

3) Functionally, the rear LCD is not as nice as the Sony's. The Sony's rotates, can be set to enlarged type (50+ user again), and the system that turns it off as your eye approaches also starts the AF on the Sony. [Although many like the top LCD, the Nikon way of needing to push a button on the back, then peak over the top to see what you're setting is not as nice].;

4) No in camera stabalization. The A100 can shift the sensor to help eliminate camera shake. Nikon and Canon require you to purchase rather expensive lenses to get the anti-shake.;

Also, soon to be added to the competion will be the Pentax K10D. Specs are sketchy right now, but it appears to be enter the competition as a 10 megapixel camera with built-in anti-shake (much like their K100D).

Of these 3 currently on the market, the Canon is the least expensive; therefore, it's up to the other 2 to show they are worth more, a very difficult task, indeed.

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1,180 of 1,201 people found the following review helpful: 5.0 out of 5 stars If you're coming from Point and Shoot Cameras, September 19, 2006 This review is from: Canon Digital Rebel XTi 10.1MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (Black) (Electronics) You'll find plenty of technical reviews on the web regarding features and specs for this camera.

The best thing I think I can provide is my short experience with this camera, so if you used to have a high end P&S camera and is looking to dive into the DSLR world, you are where I was a few weeks ago.

I owned a Sony F717 which I really loved, but honestly, all I did was set it to Auto and take good pictures. The problem was that I had a toddler at home that doesn't really like to wait till the camera took a few secs to focus and take the pic. I was missing those smiles and moments just because the Sony couldn't take pics fast enough.

I decided to look into newer cameras... Initially my budget was around $400 and I was looking to buy the Canon S3. But after spending several weeks online reading reviews (like you probably are right now), I decided that I wanted a DSLR (you'll find plenty of technical reasons in the web and other reviews). I was then ready to buy the Canon Xt (But the Xti was just around the corner, so I decided to wait a couple more weeks and when the Xti was finally released on Sep 1st, I went to Best Buy and got mine)

It's my third week with the camera, and I'm loving it. I can take pictures of my son faster than he can say "bugga bugga bugga". While I'm still learning how to use the camera to its potential (I've been trying to learn how to shoot pictures in manual mode instead of full automatic), I've been fully satisfied with the results so far.

If you're doing what I did last month, you're probably reading tons of reviews of this camera, the Canon Xt, Nikon D50, Nikon D70, Nikon D80, etc. Don't waste your time on the details.. They're all excellent cameras, and if you're coming from P&S, any of these cameras will be an awesome one for you to learn.

I warn you though. The biggest danger of buying this camera is that you'll soon be lusting after lenses... Now I spend hours on the web checking reviews of Canon, Sigma and Tamron lenses, and believe it or not, it's much harder to buy lenses than to buy a camera.

PS: A Great book I I got was "Understanding Exposure" by Bryan Peterson. I actually got the book before the camera, and it was one of the main deciding factors that got me into DSLR instead of a pro P&S. The pictures that Bryan shows in this book are amazing and you need control. Now I'm paranoid with getting the smallest Depth of Field possible in my son's pictures (You'll understand this if you get this book or any other that explains concepts of Exposure)

Update (10/04): After weeks digging forums and reviews, I decided to purchase 2 lenses... The canon 50 f1.8 and the canon 70-300 IS. I'm not going to go over the details for these lenses in this review, but wanted to let you guys know that deciding which camera was the easy part. Deciding the lenses is where all the pain resides.

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398 of 407 people found the following review helpful: 5.0 out of 5 stars Difficult Decision (30D vs. XTi), November 10, 2006 I had the Rebel XT and about 8 lenses and was thinking of getting an upgraded second camera body. So when it came out the 30D was a logical choice, but it was not really much of an upgrade from the 20D, which I resisted, so I was not really sure what to do. Then I had all but decided to just take the plunge and get the 30D when I heard the first rumblings about the XTi.

Then I started to learn the details about the XTi, more mega pixels, same auto focus, same screen, picture styles, dust cleaning! The only areas that the 30D won in my opinion were build quality, spot meter, and estimated shutter life. Those 3 categories were not enough to convince me that the 30D was worth $300-$400 more than the XTi especially since the XTi had won or tied in most categories. The way I look at it is that the camera bodies are not nearly as important as the lenses, they change so fast that it is not worth it to me to spend more for longevity when it will be outdated in a year anyway. Spend $1,500 on a lens, use it for a lifetime, spend $1,500 on a camera body, regret it in a year. I fully expect the upgrade to the 30D to be released within a year, and now that I have saved by getting the XTi I will have all that much more to put towards it when it comes out.

So basically what I am saying is that, in my opinion, the XTi is just as good, if not better than the semi-pro 30D, so why pay more? Switching from the XT to the XTi was very simple, I can use them both now without any problems. The batteries, battery grips, remote shutter release, and most of the other accessories are also compatible with both, which is nice to keep the amount of gear you need to carry to a minimum.

Unless you want to move up to a full frame sensor, I can't see any reasons why you would not want to go with this camera. If you read books on photography from just 1 or 2 years ago you will realize that this "entry level" camera has features that were not even available on top of the line ($5,000+) camera bodies. With the speed that camera bodies advance you might as well buy the entry level body every year instead of making a huge investment in the pro level bodies and then being shown up by something 10% of that price in a year or two. Not that there are not reasons to buy one of those bodies, I just don't seem have any of them.

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