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Given the success of Canon's highly acclaimed G Series, it's no surprise that ambitious photographers have been eagerly anticipating the next model in its evolution. The wait has paid off handsomely with the introduction of the PowerShot G9. In image quality and functionality, the G9 stands above the competition with 12.1 megapixels of resolution, 6x optical zoom with Optical Image Stabilizer, and RAW mode for the ultimate in creative control. Sophisticated design and high-quality construction complement the technology and make the G9 a camera to be reckoned with.

Big Impact in a Compact Package
The PowerShot powerhouse: A class-leading 12.1-megapixel digital camera with unique Canon DIGIC III Image Processor, 6x optical zoom, and Optical Image Stabilizer.

12.1-megapixel resolution gives you plenty of rich, deep detail to work with. Blow up images to poster size, or enlarge and crop any section without fear of pixilation.

With DIGIC III, your images boast superior quality, the camera operates at top efficiency and battery life is enhanced. What's more, DIGIC III enables Canon's Face Detection Technology and red-eye correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the camera automatically pinpoints the faces in the scene and chooses the ideal focus point. The camera controls exposure settings and flash to keep every face looking bright and natural. Red eyes can be corrected during playback.

iSAPS Technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III Image Processor to improve focus speed and accuracy, as well as exposure and white balance.

The camera is equipped with a long 6x optical zoom. Canon's own Optical Image Stabilizer Technology keeps images steady and blur-free all through the zoom range--even in low light--by detecting motion and generating a corrective signal. Because it is an optical system, more corrective movement is allowed and there is no degradation of image quality.

Creative Power in Your Control
Full range of shooting and recording modes including JPEG + RAW for the ultimate in creative control.

The PowerShot G9's RAW mode lets you shoot images without JPEG compression. It gives you clearer images and complete creative control in editing. RAW images are transferred directly to the computer where they can then be edited using image adjustment software or a processing application to adjust your images as you please. The camera can also be set to allow the simultaneous recording of both RAW and JPEG images while shooting.

25 Shooting Modes, Including 9 Special Scene Modes

Shooting Modes
Advanced presets for the best possible photos under certain conditions.

Auto
The camera chooses all the settings so you can concentrate on your subject.

P Program
Access advanced exposure compensation features while shooting mostly automatically.

Av Aperture-priority
You define the aperture to either isolate your subject or have clarity throughout the entire picture, and the camera will choose the corresponding shutter speed.

Tv Shutter-priority
You select the shutter speed to stop or blur action, and the camera finds the appropriate aperture. With slow exposure times, Canon's noise reduction system activates to ensure low image noise.

Manual
The ultimate in creative control, you set both aperture and shutter speed manually.

C Custom
Define and store your own settings to achieve the effects you prefer.

Stitch Assist
Build awe-inspiring panoramas by neatly aligning sequential images.

Movie
Shoot in High Resolution (1024 x 768 at 15 fps), VGA (640 x 480 at 30 fps/30 fps LP), QVGA (320 x 240 at 30 fps) for up to 1 hour or 4GB, QQVGA (160 x 120 at 15 fps) for up to 3 minutes or Time Lapse (640 x 480 at 1 second/2 second intervals) for up to 2 hours.

Special Scene Modes

Portrait
The camera sets a large aperture, focusing the subject and artistically blurring the background to make your subject "pop."

Landscape
For front to back sharpness, the camera sets a small aperture.

Night Scene
For impressive sunset or nightlife shots, the camera properly exposes the background and uses slow-sync flash for the subject.

Sports
Ensure highly accurate autofocusing when shooting fast-moving subjects.

Foliage
Capture brilliant shots of autumn foliage, greenery and blossoms.

Snow
Shoot clear snow scenes without darkened subjects or an unnatural bluish tint.

Beach
Get clear shots of people at a sunny beach without darkened faces.

Fireworks
Grab brilliant images of skyrocketing fireworks.

Aquarium
Achieve proper flash-free exposure and natural hues at indoor aquariums.

Underwater
Capture underwater images with reduced backscatter effect. (Note: Optional waterproof case WP-DC21 required for shooting any underwater images. Waterproof case not included--must be purchased separately.)

ISO 3200
Expands the user's ability to shoot in dark settings without using the flash.

Indoor
Reduce blur and improve color accuracy when shooting handheld indoors.

Kids and Pets
Reduced focusing time freezes fast-moving subjects, so you won't miss those special shots.

Night Snapshot
Get natural-looking pictures with brighter backgrounds and subjects lit by flash.

Color Accent
Choose to retain a single color in your image while other colors turn monochrome.

Color Swap
Select a color and replace it with a color you specify for special effects.

A View That's a Pure Pleasure
Optical viewfinder plus large high-quality 3.0-inch PureColor LCD II screen for bright, accurate color with greater viewing from a wider angle and with an anti-glare, anti-scratch coating.

The PowerShot G9 gives you an extra-large 3.0-inch LCD screen for excellent control when framing your shots. But size is only part of the story. Canon's PureColor LCD II offers more spectacular color, resolution, and contrast even at an angle (compared to PureColor LCD). The screen is highly durable and easy to see in any light with a scratch-resistant, anti-reflective coating. It is a perfect feature for gathering friends and family around to see your images.

3.0-Inch LCD Screen
Canon technology maximizes quality and performance.

Genuine Canon Face Detection Technology sets the focus, exposure, and flash automatically, leaving you free to compose a group, capture an unguarded moment, or coax the perfect smile. Plus the new Face Selector Button lets you select the primary face.

DIGIC III features Face Detection technologies, giving the you best possible results in any shooting situation. Face Detection AF/AE sets the focus point and exposure for the faces of your subjects. Face Detection FE adjusts the flash to correctly illuminate your subject to provide the best balance between your subject and the overall scene, eliminating the common problems of over- and underexposed faces.

And new Face Selector AF enables you to lock on and follow a specific face. The selected subject is tracked wherever the face moves in the frame.

The PowerShot G9 features ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater shooting flexibility.

Red-eye correction detects and corrects red-eye during playback. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode.

The Creative Freedom You've Wanted
Compatible with a wide range of accessories including EOS Speedlites, Canon supplementary lenses, and a waterproof case.

The PowerShot G9 is compatible with many shooting accessories, not only wide and teleconverter lenses, a waterproof case, and High-Power Flash designed for all of the PowerShot models, but also Speedlite EX series that is compatible with all EOS series SLR cameras. (Shooting accessories are not included; they must be purchased separately.) Attach a Speedlite 580EX II to the hot shoe, then you can set and control the flash on the "Flash Control" menu in the camera. With the 580EX II, the G9 is able to have extra functions such as autoflash metering, FE lock, and Flash exposure compensation. Canon's Speedlite Transmitter ST-E2 enables you to have multiple slave flashes and wireless control. A waterproof case is also available for your underwater shooting.

The Complete Print Solution
Print/Share Button for easy direct printing and downloading, plus ID Photo Print and Movie Print with select PIXMA Photo Printers, CP, and SELPHY Compact Photo Printers.

The PowerShot G9's Print/Share button makes direct printing easier than ever. Simply connect the G9 to a Canon CP, SELPHY, or PIXMA Photo Printer or any PictBridge compatible photo printer, press the lighted Print/Share button, and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon SELPHY Compact Photo Printer.

What's in the box:
Canon PowerShot G9 digital camera, lithium battery pack NB-2LH, battery charger CB-2LW, MMC Plus card MMC-32MH, neck strap NS-DC6, Digital Camera Solution CD-ROM, USB interface cable IFC-400PCU, AV cable AVC-DC300

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Most Helpful Customer Reviews

559 of 567 people found the following review helpful: 5.0 out of 5 stars 500, 550, 600, 630, 700, 800, 900: Which is "the one"?, October 2, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Even though my SD110 seemed indestructible, it couldn't match the size and nimbleness of the new generation of Elves, so it was time for a replacement.

With under a hundred bucks separating the first five models, a consumer might well be in a minor dither about which to get. Currently most Amazon consumers are bucking the adage "newer is better" and going with the SD600 (which the tech people at Cnet support, giving it a rating identical to or higher than the slightly larger and heavier SD700 and recent SD800 and SD900, both with Digic III processors). Perhaps their thinking is like mine: first, its dimensions (width, depth, and height) are smaller and its weight (under 5 oz) lighter than the other six models (the 500's are the largest, and the 630, in fact, is a bit of an oxymoron: a bigger screen to accommodate failing eyes but tighter and tinier controls for those same eyes to locate and navigate); second, the 600 is the only one of the seven that maintains the original Canon Elph aesthetic of perfectly square angles at all corners of the camera (the contoured look that Canon is beginning to introduce is, I confess, a slight offense to my eye). Finally, in the category of set-up time for the first and each subsequent shot, the 600 is comparable in speed with the other models, rated a nano-second behind the 800 but better than the 900. Moreover, the price at this time is right (though don't expect this model to be around much longer). If you can live with a "mere" 6 megapixels and shoot with a sufficiently steady hand to ignore the absence of the 700's image stabilizer feature this may very well be "the one" for you. (Not for an eternity, but in our world of rapidly changing technology even an "extended honeymoon" of several years has to be considered equivalent to a lasting marriage.)

If it needs a further recommendation, my botanist son-in-law, who owns an SD500, is about to order a supply of the smaller and lighter 600's to put in the hands of his students in the field.

Postscript: Contrary to a later reviewer's claim, this camera does not have an "anti-shake" feature like the SD700. I've never had a problem with shaky pictures, but should you observe jittery images, try shooting through the viewfinder for a firmer grip (which is lacking, by the way on the SD630). As for a 6 megapixel lens vs. a higher number, only the sharpest eye would detect any difference in quality of resolution--and even then it would have to be an image blown up to wallpaper size. Finally, the cost of SD memory cards has come down by 50% in just the past several months, so it makes sense to go for the larger (1 GB) card. Also, I would spend the extra fifteen bucks for the faster speed of the Sandisk Ultra II card. (If you like to check the results of a shot the instant after exposure or if you transfer large numbers of shots to your computer at the same time, you'll notice a difference). If you're content with a conventional SD card and want to save a few additional bucks, go with Kingston (as good as Sandisk, in my experience, though I'd stay clear of Lexar, which has given me trouble).

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485 of 502 people found the following review helpful: 5.0 out of 5 stars A week in Boston - 400+ photos and not a bad one in the bunch!, May 9, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) This is my third - and possibly final - digital camera. It does everything superbly and in a size I can just throw in my pocket so it's always there. Before the SD600 I had a Canon S100 2.1 mp [a great camera] and a Sony DSC-W1 5.1 mp [a piece of $%#@ - every other image blurry].

With the Sony less than a year old, I couldn't put up with it anymore - it was time to go back to Canon so I wouldn't miss any future shots. I got the SD600 at Best Buy 1 day before leaving on a week-long trip to Boston. My 10-yr old daughter was studying the Revolutionary War in school so I was told to take a lot of photos and "Dad, make sure they aren't blurry like all those others." [She's got the old S100, so she's not worried].

Since I'd already had the old S100, the controls were familiar. Best Buy had a 1GB PNY SD chip on sale for $39, so I had room for over 500 photos, plus I picked up an extra battery.

In the week in Boston I shot day, night, flash, long exposure, high light, low light, drizzle, rain, sun, and even a short video of Morris dancers in Boston Common. Every shot was great - and not one blurry, even when the 'shaking hand' was on. I'm not sue that the image stabilization with the SD700 would be all that necessary.

I found that indoors [my greatest fear since the Sony made you worry about every shot] with reasonably good lighting I was able to turn the flash off and shoot with natural light. I've not yet had the time to play with the various modes - just straight turn it on and shoot [both of which were very quick with minimal delay].

Everyone we were with were greatly impressed by the 600's size, style, and images on the LCD - and surprised to see me turn it on end to show full screen portrait format shots [very cool]. Even friends with the SD450 [my Christmas recommendation] wanted to trade theirs in.

I was able to get over 150 shots - maybe a quarter with flash - without recharging [I just stuck the little spare in the coin pocket in my jeans and didn't worry about it].

The software's great, too. I used the old ZoomBrowser EX with the Sony, so it was nice to see this updated and much more functional. I might not have to use Irfan Skiljan's IrfanView package anymore.

I'm sure that over the summer I'll find all those bells and whistles to be entertaining, but for just taking pictures, I don't think there's anything more I'd ever want. Now if I can just find someone to take the Sony... and I'll throw in my old Omega D2 enlarger for free!

The SD600 is as close to perfect as you can get and all I'll ever need.

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38 of 38 people found the following review helpful: 5.0 out of 5 stars Great quality with a lot of versatility, November 27, 2006 This review is from: Canon PowerShot SD600 6MP Digital Elph Camera with 3x Optical Zoom (Electronics) Funny how this camera seems to be tested in Boston. I bought this camera specifically for a trip to Boston. I thought my brother's SD450 was the best digital camera I've ever used, until I got the SD600.

I took TONS of pictures in different lighting and all turned out great. I shot everything from plates of food inches away to soccer games with players clear across the field.

Certain settings worked better than others for different lighting situations. It really just depends on what color tones you prefer. I prefer warmer tones and the camera worked really well. For the basic point-and-shoot shots with the setting on automatic and flash, I thought the colors were very true to life.

The video feature is really great as well. Playback is amazing on the large LCD screen. The newer version of this camera (SD630) has a larger display of 3inches but I actually prefer my 2.5inch screen. THis is because when I tried out the SD630, I'd get finger prints on the screen just trying to manuever the buttons. I don't have this problem w/ the SD600. I am able to avoid touching the screen while changing the settings on my camera.

The best thing about this camera is that it is ready almost instantly after you turn it on. No waiting for an annoying flash to warm up. It also takes a picture right away when you press the button. Hardly a delay compared to other digital cameras.

I don't have much else to add to this review that hasn't been already addressed. This camera with its numerous settings is far better than any old point-and-shoot camera. I think it's a great compromise between a professional camera and a point-and-shoot. It's quite versatile for those who like to play around with settings and effects. For the price, this camera rocks. 3 people have already been convinced into buying this camera after seeing me use it.

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Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

PowerShot SD750 Highlights

Stylish 7.1-megapixel Digital Elph with 3x optical zoom Certainly the PowerShot SD750 Digital Elph's design credentials and high-profile beauty are impossible to ignore. But a quick look beyond the iconic design reveals a camera seriously equipped for high-end performance.

The 7.1-megapixel CCD captures an extraordinary level of detail. Enlarge and crop as far as your vision takes you - you'll have all the detail you need for sharp, rich prints.

The camera's genuine Canon 3x optical zoom lens gives you all the benefits of Canon's legendary optics technologies along with the power to zoom in close. Expect clear, brilliant shots all through the zoom range.

DIGIC III image processor with improved Face Detection technology and Red-eye Correction With DIGIC III, you get images of superior quality, the camera functions at top efficiency and battery life is significantly enhanced. What's more, DIGIC III enables Canon's newly improved Face Detection technology and Red-eye Correction to give you better, more true-to-life people shots. Simply press the Shutter Button halfway down, and the PowerShot SD750 Digital Elph automatically pinpoints the faces in the scene and chooses the ideal focus point. To keep every face looking bright and natural - without scary red eyes - the camera controls exposure settings and flash, so every shot is just what you were shooting for.

Face Detection AF/AE finds multiple faces in the frame and sets the most suitable focus point when the shutter button is pressed halfway. And an additional new feature, Face Detection FE, adjusts the flash, based on a person's face on the screen. Exposure and flash are controlled to ensure proper illumination of both the faces and the overall scene, eliminating the common problem of darkened or overexposed faces.

Red-Eye Correction detects and automatically corrects red-eye during playback for both regular and flash photography. In unusual cases where red-eye is not automatically detected, it can easily be corrected manually during playback mode from the LCD screen.

iSAPS technology is an entirely original scene-recognition technology developed for digital cameras by Canon. Using an internal database of thousands of different photos, iSAPS works with the fast DIGIC III image processor to improve focus speed and accuracy, as well as exposure and white balance.

Extra-large, high-resolution 3.0-inch PureColor LCD with scratch-resistant anti-reflection coating for easy on-camera viewing The camera's 3.0-inch LCD screen gives you the big picture, whether you're shooting, reviewing or showing off your images. This extra-durable, high-resolution screen with tough scratch-resistant coating on the anti-reflective, PureColor LCD screen offers a crisp, clear picture to make shooting, playback and using the camera's menu functions especially convenient. Clear and bright, it also features Night Display for easy viewing in low light.

ISO 1600 and High ISO Auto to reduce image blur and expand low-light shooting capability The PowerShot SD750 Digital Elph features new ISO 1600 and High ISO Auto settings that reduce the effects of camera shake and sharpen subjects in low-light situations, giving you greater flexibility for shooting.

Five movie modes including 30 fps VGA, Time Lapse and Fast Frame Rate With a highly flexible movie mode, you can create the movie that's perfect for any application. Select from VGA (640 x 480 pixels) and QVGA (320 x 240 pixels), with frame rates of 30 fps and 15 fps for recording up to 1 hour or 4GB. Also choose from Fast Frame Rate (QVGA; 320 x 240 pixels) recording at 60 fps for up to 1 minute, Compact Movie Mode (QQVGA; 160 x 120 pixels) recording at 15 fps for up to 3 minutes, and Time Lapse (640 x 480) recording at 1 or 2 sec. intervals. The PowerShot SD750 Digital Elph supports the USB 2.0 Hi-Speed standard, so you'll enjoy the fastest possible data transfer speeds when using a USB 2.0 Hi-Speed compatible computer.

Print/Share button for easy direct printing and downloading The PowerShot SD750 Digital Elph's Print/Share button makes direct printing easier than ever. Simply connect the SD750 Digital Elph to a Canon CP, Selphy or Pixma photo printer or any PictBridge compatible photo printer, press the lighted Print/Share button and print! Also use the Print/Share button to transfer images to a computer (Windows and Macintosh).

Print your own ID photos in 28 different sizes or use the Movie Print function to output multiple stills from a recorded movie on a single sheet with a Canon Selphy compact photo printer.

Direct photo printers For desktop large-format printing, try one of the direct photo printers that allow you to print without a computer in one of two ways: plug your compatible PowerShot camera into the direct photo printer using the supplied USB interface cable, or simply insert a memory card into the supplied adapter. You can also connect the printer to your computer for more options. Print high-resolution, borderless images as postcards or 8.5 x 11-inch sheets within minutes.

Compact photo printers Compact photo printers let you produce versatile, fun 4 x 6-inch postcards, 4 x 8-inch wide greeting cards or credit card size prints in just two easy steps: connect and press/print. Control the printer right from your camera's LCD screen. You get durable, dye-sublimated prints quickly with or without borders. Assorted paper types let you create mini or credit card size labels. You can even take select compact photo printers to a party or an outdoor picnic using an optional rechargeable battery.

Canon's iconic Elph design achieves a stunning new evolution with the PowerShot SD750 Digital Elph. Utterly simple edge lines and cut surfaces gleam subtly with high-grade finishes; now offered in a choice of silver or black and silver. Of course, style means little without substance, and here the SD750 Digital Elph more than delivers. 7.1 megapixels and DIGIC III create magnificent images, while exciting advanced technologies include Face Detection, Red-eye Correction, and time lapse movies. Always sized to go, the SD750 Digital Elph is now extra-durable, with a tough scratch-resistant coating on its anti-reflective, brilliantly colorful 3.0-inch LCD screen.

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Most Helpful Customer Reviews

664 of 680 people found the following review helpful: 5.0 out of 5 stars The best thing I've ever bought, March 23, 2005 This review is from: Canon Digital Rebel XT 8MP Digital SLR Camera with EF-S 18-55mm f3.5-5.6 Lens (Black) (Camera) The XT is amazing. The battery comes partly charged so you can immedietly start using the camera (thank you Canon!) I've already shot about 200 pictures with it and the battery hasn't died yet.

I can't give you a comparison between the XT and the 20D as I haven't owned a 20D, I can tell you a few things you may wish to know before buying.

This camera, is TINY. Extremely tiny. I'm a woman in my early twenties and I have small hands. The camera fits just right in my hands, but honestly, I don't see how someone with bigger hands would be 100% comfortable holding this. If my hands were any larger, they would be slipping off the bottom.

I had tried holding a 20D at a camera shop once and it felt too large in my hands to grip. The camera size is perfect for me, but just beware if you have larger hands. You may want to look into the battery grip, or test out holding the camera at a store before you order it. See the picture I uploaded above to get a size relation and how the camera fits in my hands.

For anyone who is migrating to this camera from a standard point and shoot digital camera, you cannot frame the image you are about to take using the LCD screen on the back. You must look through the viewfinder. The LCD screen is soley for menu use and preview mode after the picture has been taken, nothing more.

Something I've noticed is the camera makes a ratteling sound when moved around. I couldn't figure out what the heck it was, and then I finally reazlized it's the hinges from the pop-up flash. It sounds like they are loose when the flash is closed. I went to Best Buy and looked at their display model, and yep, it has the same problem. Well, it's not really a *problem* but frankly something ratteling around like that sounds cheaply made to me. My Canon film SLR doesn't make that sound.

I use a 420EX Speedlite flash with my SLRs so the popup flash doesn't concern me, but it was something I noticed and thought I would share.

I love that Canon gave the option to have a black finish over a silver one.

The startup time is instantaneous which is absolutely wonderful.

The burst mode is excellent with 3 fps.

It's extremely quiet.

The image quality is excellent. You can get photo quality prints at 20x30, and even then I bet you could push it further.

I really can't elaborate more then what other reviews have said. If you are looking for a step into the digital SLR world, this is the ticket. Or you can even check out the newly reduced original Digital Rebel, but for the extra hundred bucks or so, I would just get the XT. You will not be sorry.

Two upgrades I would make right away: Get a Speedlite flash and the Canon 28-135mm lens.

Also, I don't know why people are submitting bad reviews grading Amazon on shipping for the Rebel XT. When I preordered the XT from Amazon (not from another 3rd party), it said it would be released March 20th. I got my Rebel XT in the mail yesterday (the 22nd) which if you ask me, is pretty darn good. Want something right away? Then walk into a store and buy it instead of ordering from the internet.

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162 of 164 people found the following review helpful: 4.0 out of 5 stars A review for the, August 18, 2005 This review is from: Canon Digital Rebel XT 8MP Digital SLR Camera with EF-S 18-55mm f3.5-5.6 Lens (Black) (Camera) Overview:

Current equipment (recently purchased)

Canon Digital Rebel XT (EOS 350D)w/Lens Kit
Canon Digital Rebel XT "Starter Kit" w/Bag, extra battery, haze filter. Do NOT confuse this with the Digital Rebel (non-XT)starter kit, which is also for sale.
Canon 420 EX Flash
SanDisk CF Type II (1 GB)
Canon Semi-hard Case (EH-18L)
Canon Remote Controller (RC-1)

Experience:

Currently 34 years old, began taking pictures at age 10 with non-SLR type cameras. Previous cameras include Canon AE-1 Film SLR, Sony Mavica MVC-FD90, Sony Mavica MVC-CD250 and Sony Mavica MVC-CD400. I'd estimate that I've taken 10,000 pictures with film cameras over the years (non-SLR, AE-1, A-1 and F-1, the A-1 and F-1 being bodies owned by my father, who is a well regarded semi-professional photographer and former instructor at the local Community College on film photography)and an additional 10,000 pictures with various digital cameras.

This is my first Digital SLR purchase.

General Impressions;

My FIRST recommendation to anyone thinking of purchasing this camera would be to download the owners manual from Canon, it's available via the Canon Website in .pdf format.

Several hours of your time spent reviewing the actual manual should provide confidence that this camera can be used effectively by any level of photographer.

If you're a novice, disregard the "Manual" sections of the manual and concentrate your attention on the "Automatic" sections. This camera is literally so easy to use a child can take an excellent photograph. I let my 9 year old daughter (with me giving her 2 minutes of advice and observing her carefully to protect the camera as she used it) take 25 photographs in the "Full Auto" mode, using only the pop-up flash unit. Out of 25 photos, I would rate 2 excellent on composition and the other 23 very poor (as expected), but the QUALITY of the images was outstanding. Every image was crisp and vibrant. My daughter is a TOTAL novice, other than using a few of the "disposable" pre-loaded cameras at a birthday party, these are the first 25 photos she's ever attempted. The 2 of excellent composition (of her little sister who's 2, and was in full "go" mode moving around) I sent to my father (who hardly passes out compliments on my photographic skills at a whim)with his response being "great photos".

I've personally shot 300 frames with the camera in "Full Auto" mode, using no flash (even when one was needed), the pop-up flash unit and the 420 EX (approximately 100 frames each way)and have even tried to "fool" the camera by taking portrait type shots in "Sports" mode and etc. The camera is very intuitive and will save most users from common mistakes associated with trying to take Photographs as opposed to Snap Shots. The only limitation on the quality of the images you can expect mostly relates to your skills in composing the photographs.

This camera can be used as a point and shoot camera or can be fine tuned to allow more creative/experienced photographers to push their limits. This is NOT a professional quality Digital SLR (or if it is, I can't imagine a pro using a digital camera, for high end photography this camera has SERIOUS limitations). Having said that, I would recommend this camera to anyone that is comfortable spending the money on it. This is not an inexpensive commitment. Initial outlay for a "basic" set-up will run you between 1200 and 1400 dollars, and additional lenses, filters, accessories will add 500 or more dollars (with your budget being the only limit on the "or more" amount).

I've read reviews where users mention several "negative" issues with the camera. First, some reviewers mention that the battery cover "rattles". I can't speak to their experiences, but there is no "rattle" on my camera body at all, none. Very solid. Second, I've read complaints that the size is too small. I'm not a small man, and I have fairly large hands. I think the camera IS compact, but not uncomfortable to use. As a matter of fact, the smaller size keeps me mindfull of the fact that it's a precision instrument and that it takes a delicate touch on the shutter and a light "approach" to taking a great photo. Finally, I've noticed that some people think the camera has a "cheap" feel to it. I can only assume that they're used to camera bodies made of metal. This body is plastic and rubber, but again mine feels very solid in my hands, not "cheap" at all, unless I heft my AE-1 right after the fact. But that's comparing apples to oranges.

Photo Quality:

In the Large Fine Format, this camera will give you everything you expect in terms of image quality.

Ease of Use:

If my 9 year old can take pictures with it, anyone can.

Value:

Relative to the cost of other Digital SLR's (and having reviewed their owners manuals as well) I'd rate this as a very good value.

5 Star Items:

Autofocus - Very Fast, haven't "stumped" it yet.
Menu - Easy to understand/use
Battery Life - Excellent
Image Quality - Excellent
Canon Engineering - Excellent, I'm biased probably, never had a problem with a Canon Film SLR, don't expect any with a Canon Digital.
Speed - Excellent, this camera is FAST. Ready to go.
Ergonomics - Very Very Good, but not perfect.

4 Star Items:

Viewfinder - It's very good, the placement of the screen leaves a LOT to be desired, but not enough to downgrade the camera overall.
CF Slot - Not overly easy to get the card in, but not HARD.
Pop-up Flash Unit - Good for what it is, but nothing you want to rely on if you're planning on taking good photographs in every situation.
Included Software - Very good, nothing earthshaking.
Battery Charging - Very good, under 90 minutes to take a drained battery back to full charge.
Changing Lenses - Very good, about what you'd expect.
Owners Manual - Informative, but could have been better organized.

3 Star Items:

Neck Strap - Poor, not comfortable. Plan on buying a replacment.
Included Lens - Average. Meets the "general" purpose shooting requirements for most situations, about what you would expect from a $100.00 lens. Plan on upgrading the lens, but I still recommend buying the full "kit" with Lens, instead of body only.

Overall, I gave the camera a 4 star rating, because nothing is perfect, but personally I'm very pleased with my purchase and would recommend this camera to anyone that isn't attempting TRUE professional quality photography.

Recommended purchases;

2nd Battery, 2nd CF Card (recommend Type II), Additional Lenses, Camera Bag, Remote Control, Filters, Flash Unit (420 EX, is cost effective and gives good results, EH-18L Body Case and Tripod.

Potential worthy purchases;

Battery Grip (BG-E3)
AC Adapter Kit (ACK 700)

Also, I bought my items directly from Amazon.com, got a good price and everything was delivered on time and in good condition. Just to echo some other reviews, if they price is "too good" be wary, as always you get what you pay for.

Hope this was helpful information.

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721 of 762 people found the following review helpful: 5.0 out of 5 stars Another stunning winner from the bright minds at Canon, March 15, 2005 This review is from: Canon Digital Rebel XT 8MP Digital SLR Camera with EF-S 18-55mm f3.5-5.6 Lens (Black) (Camera) I spent three hours yesterday playing with the brand-new Canon Digital Rebel XT digital SLR camera, and man, was I impressed.

I hadn't been too impressed with the original Digital Rebel, except for its revolutionarily low price (for a d-SLR), because it was slow and felt slimsy. The new DR XT is quite different. Even though it's 3 ounces lighter than the original DR -- mostly due to the use of a smaller battery; see below -- its smaller form factor actually makes it feel more solid and "real". In other word, unlike the original DR, this one feels professional, not toy-like at all.

By now you probably already know Canon makes some of the best digital cameras in the world. Even though I'm a Nikon shooter when it comes to d-SLR (sorry, loyal Canon shooters!), I own a couple Canon compact digital cameras and love them, too. The DR XT's image quality is once again excellent. I took a few indoor shots with the camera, both with and without flash, and then the store clerk let me download them to their PC. The JPEG pictures (I didn't try RAW) looked excellent on the Sony LCD screen, on par with the more expensive EOS 20D d-SLR. Color tones were accurate and the resolution was really good. The improvement picture quality over the original DR ("DR Classic"? BTW it's now $200 cheaper) comes from both the 2 extra megapixels and the better color accuracy. BTW, the DR XT reportedly uses a tecchnically different CMOS sensor than the original DR, although I haven't been able to find out exactly how this one is better in technical terms than the old one (other than the two extra megapixels). No matter, my limited true-world testing showed the image quality is indeed better than the already-excellent image quality of the original DR. And, as in the past, Canon does a wonderful job at keeping noise low -- I considered noise acceptable up until ISO 800.

The kit, which I recommend, comes with the same flimsy 3x EF-S lens (which won't work on regular film SLRs) as the original DR. You should most definitely get a better lens, although the kit lens works well as a "street zoom." I didn't get a chance to test the lens outdoors as the store wouldn't let me take it outside, but I have no doubt that this new model can only be better than the original DR, which was already very good even before you considered its low price.

The DR XT is fast: at last, you can turn it on and start shooting without waiting several seconds like you had to with the original DR. The only downside compared to the original DR is the smaller, lighter battery in the DR XT also means shorter battery life. I highly recommend you get an extra battery or two. You won't be able to go through a full day of shooting on just one battery, even if you don't use flash much. (But all pros and pro-wannabes use fill-in flash, don't we?) I also recommend a good camera bag; I personally like Tamrac for that. In addition to the spare battery (batteries), bag and a better lens or two, also consider getting a tripod (Sunpak ones are cheap but ok quality), an external flash as well as filters -- esp. a high-qual circular polarizing filter.

In summary, the Canon Digital Rebel XT is another stunning winner from Canon. It features faster speeds (start-up and shot-to-shot), excellent image quality, and terrific look-and-feel. Despite my personal preference for Nikon pro-level gear, I can recommend this Canon d-SLR to my friends without reservation.

Feel free to e-mail me at gadgester @t hotmail with your questions and commends.

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1,202 of 1,216 people found the following review helpful: 5.0 out of 5 stars Nice upgrade of the popular Digital Rebel Series!, September 12, 2006 [This is the same review I posted for the kit. If you're getting the body because you don't like the 18-55 lens, keep in mind that some dealers offer this camera in a kit with the much nicer 17-85 USM IS (image stabalization) zoom.]

The new Digital Rebel XTi camera should appeal to a wide variety of users: those wishing to upgrade from a point & shoot digital, or those wishing to improve upon their first generation digital SLRs. Features and value make this a 5-star camera, but it won't be everyone's cup of tea.

Compared to the previous Digital Rebel XT, important improvements are:

1) 10.1 megapixels. In digital camera circles, this is like saying a car has more horsepower than an older car. While this alone doesn't mean "better" pictures, in reality, combined with other improvements in hardware & software, the results typically are better.;

2) 2.5" LCD panel. This alone has more than one advantage. The obvious first one is that our pictures look larger in review. The second, and for someone approaching 50 (like myself), is that the LCD is now used for all the camera's data (shutter speed, aperture, shots left, etc.). It's much easier to read than the small LCD typically located on the top of the cameras. It might use up the batteries quicker, but, heck, if you can see the info this much easier, then so be it. One complaint, it does not appear that the data rotates when you do verticals (like the Sony Alpha 100).;

3) 9-point AF. The number of points are improved from 7, but the real key here is that it's the system from the 30D, which had a much higher degree of accuracy than the previous Rebels.;

4) Picture Styles. I didn't really appreciate them at first, but simply put, this is like the days of film, when we could use a "portrait" film or "landscape" film. For those that don't like to do a lot of computer work, these can be VERY handy in getting the right look in the camera.;

5) Dust cleaning system. OK, I think the dust problem will probably be a little overblown, now that Canon offers a solution, but it is a real, if not great, threat. Additionally, the way Canon has implemented it is second to none. The first is through hardware. An ultrasonic filter can simply shake the dust off. Second is through software. If you spot a nasty piece that won't shake off, you can do a reference shot, and have the dust removed by software on your computer.;

6)The grip has been improved a little. The rubber on the grip is improved, and an anti-slip strip has been placed on the back where the right thumb goes.

Most all other things Canon is know for still exists. The camera focus fast and quietly. Camera operations are quick and easy to locate and use. Pictures look great.

Now for the other side. This is an unusual time in that all the big players are comming out with a 10 megapixel camera at the same time, so the Canon has some stiff competition. Here goes a simple comparison.

1) Compared to the other two cameras already available, the Sony A100 and Nikon D80 (both also 5-star cameras), the XTi is considerably smaller, and somewhat lighter. Some will like this, even some with medium to medium-large hands. But most people with larger, and some with somewhat smaller hands may prefer the other two choices.;

2) The battery is somewhat smaller than its rival's, and may drain a bit faster due to the LCD being used for info all the time.;

3) Functionally, the rear LCD is not as nice as the Sony's. The Sony's rotates, can be set to enlarged type (50+ user again), and the system that turns it off as your eye approaches also starts the AF on the Sony. [Although many like the top LCD, the Nikon way of needing to push a button on the back, then peak over the top to see what you're setting is not as nice].;

4) No in camera stabalization. The A100 can shift the sensor to help eliminate camera shake. Nikon and Canon require you to purchase rather expensive lenses to get the anti-shake.;

Also, soon to be added to the competion will be the Pentax K10D. Specs are sketchy right now, but it appears to be enter the competition as a 10 megapixel camera with built-in anti-shake (much like their K100D).

Of these 3 currently on the market, the Canon is the least expensive; therefore, it's up to the other 2 to show they are worth more, a very difficult task, indeed.

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1,180 of 1,201 people found the following review helpful: 5.0 out of 5 stars If you're coming from Point and Shoot Cameras, September 19, 2006 This review is from: Canon Digital Rebel XTi 10.1MP Digital SLR Camera with EF-S 18-55mm f/3.5-5.6 Lens (Black) (Electronics) You'll find plenty of technical reviews on the web regarding features and specs for this camera.

The best thing I think I can provide is my short experience with this camera, so if you used to have a high end P&S camera and is looking to dive into the DSLR world, you are where I was a few weeks ago.

I owned a Sony F717 which I really loved, but honestly, all I did was set it to Auto and take good pictures. The problem was that I had a toddler at home that doesn't really like to wait till the camera took a few secs to focus and take the pic. I was missing those smiles and moments just because the Sony couldn't take pics fast enough.

I decided to look into newer cameras... Initially my budget was around $400 and I was looking to buy the Canon S3. But after spending several weeks online reading reviews (like you probably are right now), I decided that I wanted a DSLR (you'll find plenty of technical reasons in the web and other reviews). I was then ready to buy the Canon Xt (But the Xti was just around the corner, so I decided to wait a couple more weeks and when the Xti was finally released on Sep 1st, I went to Best Buy and got mine)

It's my third week with the camera, and I'm loving it. I can take pictures of my son faster than he can say "bugga bugga bugga". While I'm still learning how to use the camera to its potential (I've been trying to learn how to shoot pictures in manual mode instead of full automatic), I've been fully satisfied with the results so far.

If you're doing what I did last month, you're probably reading tons of reviews of this camera, the Canon Xt, Nikon D50, Nikon D70, Nikon D80, etc. Don't waste your time on the details.. They're all excellent cameras, and if you're coming from P&S, any of these cameras will be an awesome one for you to learn.

I warn you though. The biggest danger of buying this camera is that you'll soon be lusting after lenses... Now I spend hours on the web checking reviews of Canon, Sigma and Tamron lenses, and believe it or not, it's much harder to buy lenses than to buy a camera.

PS: A Great book I I got was "Understanding Exposure" by Bryan Peterson. I actually got the book before the camera, and it was one of the main deciding factors that got me into DSLR instead of a pro P&S. The pictures that Bryan shows in this book are amazing and you need control. Now I'm paranoid with getting the smallest Depth of Field possible in my son's pictures (You'll understand this if you get this book or any other that explains concepts of Exposure)

Update (10/04): After weeks digging forums and reviews, I decided to purchase 2 lenses... The canon 50 f1.8 and the canon 70-300 IS. I'm not going to go over the details for these lenses in this review, but wanted to let you guys know that deciding which camera was the easy part. Deciding the lenses is where all the pain resides.

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398 of 407 people found the following review helpful: 5.0 out of 5 stars Difficult Decision (30D vs. XTi), November 10, 2006 I had the Rebel XT and about 8 lenses and was thinking of getting an upgraded second camera body. So when it came out the 30D was a logical choice, but it was not really much of an upgrade from the 20D, which I resisted, so I was not really sure what to do. Then I had all but decided to just take the plunge and get the 30D when I heard the first rumblings about the XTi.

Then I started to learn the details about the XTi, more mega pixels, same auto focus, same screen, picture styles, dust cleaning! The only areas that the 30D won in my opinion were build quality, spot meter, and estimated shutter life. Those 3 categories were not enough to convince me that the 30D was worth $300-$400 more than the XTi especially since the XTi had won or tied in most categories. The way I look at it is that the camera bodies are not nearly as important as the lenses, they change so fast that it is not worth it to me to spend more for longevity when it will be outdated in a year anyway. Spend $1,500 on a lens, use it for a lifetime, spend $1,500 on a camera body, regret it in a year. I fully expect the upgrade to the 30D to be released within a year, and now that I have saved by getting the XTi I will have all that much more to put towards it when it comes out.

So basically what I am saying is that, in my opinion, the XTi is just as good, if not better than the semi-pro 30D, so why pay more? Switching from the XT to the XTi was very simple, I can use them both now without any problems. The batteries, battery grips, remote shutter release, and most of the other accessories are also compatible with both, which is nice to keep the amount of gear you need to carry to a minimum.

Unless you want to move up to a full frame sensor, I can't see any reasons why you would not want to go with this camera. If you read books on photography from just 1 or 2 years ago you will realize that this "entry level" camera has features that were not even available on top of the line ($5,000+) camera bodies. With the speed that camera bodies advance you might as well buy the entry level body every year instead of making a huge investment in the pro level bodies and then being shown up by something 10% of that price in a year or two. Not that there are not reasons to buy one of those bodies, I just don't seem have any of them.

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This year, with Canon's release of the A570IS, I decided to upgrade, driven by the addition of optical image stabilization (IS). While the IS is impressive, I was surprised by other improvements that Canon has made. Image noise levels are significantly lower and more controlled for higher ISO captures. The Digic III processor seems to make more intelligent decisions about lighting and flash exposure, especially when its face recognition is engaged. Add a dramatically better quality LCD screen, slightly higher 7.1MP resolution, improved case, and support of high capacity SD cards, and I doubt I'll need to upgrade any time soon.

Like the A540, the A570IS is for me a perfect balance of size, speed, and photo quality. The A570IS is the same physical size as the A540. It's small enough to fit in a coat pocket or small belt case yet uses 2 AA batteries.

Like the A540, overall processing speed is very fast unless you're taking flash pictures (and then you should expect about 4-6 seconds between flashes depending on battery level and what flash strength the camera selected). Note that flash time is significantly better with high-capacity rechargeable NiMh batteries than with standard AAs. And, unlike some other cameras I have tried, the speed of the user interface (especially during playback) is very fast.

Picture quality in general is excellent, even in low light situations. Noise at higher ISO is significantly more controlled than the A540, perhaps a benefit of the new 7.1MP CCD and the Digic III image processor. According to the documentation, noise reduction is applied at slow shutter speeds of 1.3 seconds or greater, and this can slightly slow down shot-to-shot time. There is no option to disable or adjust the noise processing, but in my experience the results are very good. When noise reduction is applied, there is a slight loss of detail compared to the A540, but the results are noticeably better on the A570IS with its built-in noise reduction than post-processing noise on pictures taken with the A540.

In my own head-to-head comparisons between the A570IS and A540, the A570IS has better light metering and noticeably sharper detail on indoor shots without a flash (especially when image stabilization is engaged). The A570IS does favor slightly higher ISO in auto modes than the A540, giving generally better results without a flash. However, when taking close-up pictures with a flash, the A570IS doesn't seem to select anything lower then ISO 200, sometimes requiring a manual ISO override in Program mode.

The A570IS offers a new ISO 1600 mode, but I'm not quite sold on it. Without a tripod, under low light conditions, ISO 1600 does offer the opportunity for blur-free photographs not possible with ISO 800. But the level of noise and artifacts from the noise processing don't give a very usable picture.

The A570IS raises the bar with optical image stabilization, which only works when the camera is held horizontally. One of the biggest limitations of consumer digital cameras is the need to hold the camera steady to get a clear shot. At higher zooms and in night shots this problem can be compounded. I've taken a number of shots with and without IS, and it is useful but not a "magic bullet" for poor shots. Small details like far-away signs at night become clear when the IS is engaged. You can set the IS to run continuously during preview, only when the shutter is released (slightly lower battery drain), only on vertical movement (better for objects that are moving horizontally), or disabled (I have yet to find a reason to do so). And, unlike many cameras I've seen, the IS works in video capture mode.

Like the A540, the A570IS offers full manual controls. With the A570IS, Canon adds two more modes (Kids & Pets and Indoor) to the mode selector wheel (instead of having to find them on the Special Scene menu). The A570IS also adds a new Aquarium scene mode, while removing the useless Color Swap and Color Accent modes. Canon has also removed the "My Camera" customization menu (for changing the startup picture and various sounds) which I never used on my A540.

Although I never expected to use it, the movie mode is excellent. It's still not a replacement for a dedicated camcorder. But I have used it on a number of occasions to capture audio and video when a picture just won't do. Standard movie mode is 640x480 (VGA) quality at 30fps, but you can raise the capture to 60 fps at 320x240, or lower it to 15fps at 160x120. The A570 can now capture video up to 1 hour or 4GB whichever comes first. Video files are very large (around 1.9MB/second at 30fps) but they compress extremely well with QuickTime Pro's MPEG4 codec.

With the A570IS, Canon also addressed some of my minor complaints about the A540. Most notably, the LCD screen is much higher quality and higher resolution. The case plastics seem more solid, the small rubber door covering the USB - A/V - power ports pivots open from the side not the top, and the handle area no longer has a chrome insert which had a tendency to fall off. The ring that covers the conversion lens adapter mount has a chrome trim, making the camera more attractive but at least on my A570IS it is more difficult to remove than the A540.

Once again, I looked at the Canon A710IS which offers a 6x optical zoom, but has the same 7.1MP sensor, optical image stabilization and user interface with the older Digic II image processor. In the end, after trying both cameras in the store, I again settled on the A570IS. The A710IS is noticeably larger (about 0.25 inches wider and slightly taller), and the more complicated lens takes longer to startup and to zoom. Both cameras have a limited number of stops in their zoom range, but this is noticeable on the 6x of the A710IS where it is not noticeable in the 4x of the A570IS. For me, the larger size wasn't worth the extra zoom. And the benefits of Digic III are impressive.

In summary, Canon A570IS Pros:
- 7.1 megapixel sensor, 4x optical zoom
- ISO 80 to 1600
- optical image stabilization for higher ISO or zoom, even during video capture
- optical viewfinder for shooting with the LCD off
- full manual controls (shutter priority, appeture priority, full manual)
- preset and custom white balance control
- outstanding photo quality, even in relatively low light (good color balance, very low noise at higher ISOs, almost non-existent chromatic aberation)
- Digic III processor offers face detection, makes more intelligent decisions on exposure, and flash levels
- very good results from built-in noise reduction for slow shutter speeds of 1.3 seconds or greater
- very fast startup and shot-to-shot speed (flash not withstanding)
- excellent and speedy auto-focus even in low light (although the AF assist light can slow this down)
- orientation sensor recognizes if you have rotated the camera to take a shot
- flash adjusts angle based on wide-telephoto zoom
- built-in red eye reduction during playback lets you select an area to remove red eye and save as new or overwrite the existing image
- surprisingly usable movie mode
- outstanding user interface: options are well laid out and easy to locate, very well thought-out record and playback options
- extremely fast user interface and playback performance, even zooming in on photos
- high resolution LCD screen
- well built case, very comfortable grip
- uses SD cards and supports high-capacity SDHC (takes advantage of high-speed SD)
- uses 2 AA batteries (at least 2500 mAh NiMh rechargeable recommended)
- very good battery life (approx 400 shots on 2 rechargeable NiMh AA, with the display on)
- replaceable lithium battery protects settings when changing batteries
- supports optional high-power flash, conversion lenses and underwater case

Cons (to me, all very minor):
- flash recharge time is acceptable but not great (4 - 6 seconds between shots using NiMh batteries)
- preview display blanks while flash recharges
- Auto ISO for indoor flash close-up pictures doesn't seem to select below ISO 200; you can force ISO 100 in Program or manual modes
- ISO 1600 is of questionable real-world use because of noise and artifacts from noise reduction
- noise reduction cannot be adjusted or disabled
- it is possible to insert the SD card upside down and you don't realize until you try to close the cover (would be easy to break the cover if you force this)
- the markings for the battery orientation are difficult to read
- no RAW image support, but you can select from 3 different compression ratios for image quality
- bundled 16MB card is useless - buy a 2GB card

TIPS :
1) make sure you do a low-level format before you use your SD card in this camera, even if you had formatted it for another Canon camera. It makes a significant difference in shot-to-shot speed
2) always use high-capacity (2500 mAh or greater) NiMh rechargeable batteries - the flash recharge time is much improved (though still 4-6 seconds)
3) for indoor flash close-up shots, may need to override ISO to 100 for better quality
4) for outdoor shots in bright sun, setting exposure -2/3 gives better control of bright areas
5) if you use the conversion lens adapter, don't plan on using the built-in flash which is partially obscured by the adapter. I haven't tried it, but would expect the external flash to not have this problem.

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For stunning photography with point and shoot ease, look no further than Canon’s EOS Rebel XSi. The EOS Rebel XSi brings staggering technological innovation to the masses. It features Canon’s EOS Integrated Cleaning System, Live View Function, a powerful DIGIC III Image Processor, plus a new 12.2-megapixel CMOS sensor and is available in a kit with the new EF-S 18-55mm f/3.5-5.6 IS lens with Optical Image Stabilizer. The EOS Rebel XSi’s refined, ergonomic design includes a new 3.0-inch LCD monitor, compatibility with SD and SDHC memory cards and new accessories that enhance every aspect of the photographic experience.

Canon EOS Rebel XSi Highlights

New Technology for Outstanding Images

12.2-megapixel APS-C Size CMOS sensorNew Canon 12.2-megapixel CMOS sensor and DIGIC III image processor Canon's CMOS (complementary metal oxide semiconductor) sensor captures images with exceptional clarity and tonal range, and offers the most pixels in its class. It offers many of the same new technologies to maximize each pixel's light gathering efficiency that were first seen with the professional EOS-1D Mark III model. It's an APS-C size sensor (22.2 x 14.8mm), and there's an effective 1.6x increase in the lens’s marked focal length when attached. Canon’s DIGIC III Image Processor dramatically enhances image quality and speeds up all camera operations for intuitive operation. It works in concert with the EOS Rebel XSi’s sensor to achieve unprecedented levels of performance in all lighting situations.

14-bit A/D converter With the EOS Rebel XSi, analog to digital signal conversion is executed by a 14-bit processor, which generates digital data with incredibly smooth tones. Formerly a feature only present in top-of-the-line pro digital SLR cameras, the 14-bit conversion gives incredibly smooth transitions from light to dark colors, with far less risk of "banding." A sky at sunset is a perfect example. With this rich 14-bit gradation the EOS Rebel XSi offers RAW images of the highest quality that can be processed with Canon’s Digital Photo Professional software. Even JPEG files, which are always finished at 8-bits per channel, use the full 14-bit conversion initially to generate the best possible color and tonal detail. Another huge benefit of the 14-bit conversion is the Highlight Tone Priority option, which allows critical shooters to increase the level of detail in bright areas of a scene up to one stop, without affecting overall exposure.

Auto Optimization The EOS Rebel XSi’s Auto Optimization is yet another image-quality tool that comes to the rescue in tricky lighting conditions. It can actually lighten dark areas of a scene while ensuring that bright areas maintain tonal detail. It's now available in all shooting modes, including P, Tv, Av, and Manual.

DIGIC III image processor Developed to maximize performance between the capture and recording stages of digital photography, the EOS Rebel XSi’s latest-generation DIGIC III Image Processor works in concert with Canon’s CMOS sensor to achieve even higher levels of performance. The entire electronic system is totally redesigned, giving the camera its incredible combination of speed and image quality. Digital noise is significantly reduced in shadow areas, and color reproduction is superior.

Speedy, Precise Operation

Excellent performance with 3.5 fps continuous shooting, up to 53 full-resolution JPEGs or 6 RAW images in a burst The EOS Rebel XSi operates with such effortless speed that operation is nothing short of intuitive. With instant startup times, speedy autofocus and minimal shutter lag, the EOS Rebel XSi is one of the fastest cameras available today. It can shoot up to 3.5 frames per second, in bursts of 53 JPEGs or 6 RAW files, so you’ll never, ever, miss a shot.

See the image in large LCD with Live View Function The EOS Rebel XSi has a huge, bright 3.0-inch TFT LCD monitor with 230,000 pixels and a viewing angle of 170 degrees. It’s perfect for Live View composition or viewing camera settings like AF, ISO, Metering, AF Point selection and flash options. And the maximum brightness of the EOS Rebel XSi LCD monitor is about 30-percent greater than its predecessor, which is a big benefit when you're using the camera in bright sunlight.

Live View Function Live View Function enables you to view your subjects directly on the huge 3.0-inch LCD monitor. It's easy to magnify any part of the scene 5x or 10x for precise manual focus. And now, there are two ways to use Autofocus along with Live View Function in the EOS Rebel XSi. You can even choose a grid overlay, perfect for keeping straight lines in your subject straight in your pictures. In the studio, Live View Function can be used remotely via a computer through the EOS Rebel XSi’s USB connection.

Fast 9-point AF system, and two types of AF during Live View Function The EOS Rebel XSi has a high-precision 9-point wide area AF sensor for fast, accurate focus even in dim lighting. It has a number of focus modes, including One-Shot AF, AI Focus AF, AI Servo AF and Manual. In Live View Function, the EOS Rebel XSi has two AF modes: Quick mode, which uses the camera's standard 9-point AF system, and Live mode, which is a contrast-based AF system that reads the sharpness of subjects right from the imaging sensor, and can be overridden by pressing the AF mode selection button. A familiar feature in PowerShot cameras, Live mode AF uses similar technologies to achieve focus, while Quick mode is more appropriate for capturing action or for shooting in low light.

Compatible with compact SD and SDHC memory cards The EOS Rebel XSi is the first EOS Digital SLR camera to use popular SD and SDHC memory cards only. Compact, inexpensive and available in increasingly large capacities, SD and SDHC memory cards are a perfect complement to the EOS Rebel XSi’s compact and lightweight body design.

Advanced Features for Advanced Photography

New advanced features include spot metering, external flash settings on the camera’s menu, and a new higher-magnification viewfinder The EOS Rebel XSi’s 35-zone evaluative metering system with improved white balance analyzes light based on each zone in the viewing area, enabling the camera to choose the overall best exposure for the entire scene. It now features a spot meter, which reads a tiny area (about 4 percent) of the picture for extremely precise metering. It also provides Center-weighted average metering and partial metering for accurate exposure no matter the situation. The EOS Rebel XSi also has an improved, high magnification viewfinder that provides a larger overall view, and increased brightness and clarity. And the EOS Rebel XSi has a Display-Off sensor that automatically turns the LCD monitor off whenever the camera is at the photographer's eye. All relevant shooting information, including ISO, is displayed right in the viewfinder so it’s easy to change settings without moving the camera away from the eye.

EOS Integrated Cleaning System Photographers who must change lenses in dusty environments will find the advanced Canon EOS Integrated Cleaning System a tremendous time saver. Dust that settles on the sensor surface is removed using ultrasonic vibration. This Self Cleaning Sensor Unit routine is automatically activated whenever the camera is powered on or off. (It can also be manually activated.) A special collar positioned around the sensor collects the loosened dust. Dust particles can also be automatically removed via software. By shooting a plain white subject, the photographer can acquire dust position data that is transmitted along with the image (whether JPEG or RAW). Canon Digital Photo Professional (DPP) version 3.3 or later software can be used to manually or automatically erase the dust spots. It's not one feature, it's a built-in system to minimize the effect of dust in high-resolution digital images.

Self Cleaning Sensor Unit A key element of minimizing dust is preventing it from clinging to the front surface of the imaging sensor. To combat against this, the EOS Rebel XSi features a Canon-designed Self Cleaning Sensor Unit. The low-pass filter at the front of the sensor shakes off dust automatically with ultrasonic vibrations, removing dust from the sensor assembly. The EOS Rebel XSi has a new coating on the front surface of the low-pass filter, to increase its resistance to dust sticking to the sensor.

Dust Delete Data Detection Dust that may still remain on the front of the sensor can also be erased with software included in Digital Photo Professional (DPP) Version 3.3 or later software. A simple test shot of a plain, white object can be taken, using a menu setting. This Dust Delete Data image is analyzed in-camera, and the location and size of any remaining dust is added to any subsequent pictures taken. This data is transmitted along with the image, whether JPEG or RAW, and can be either manually or automatically erased in Canon’s DPP version 3.3 and later software. This added software option ensures the cleanest possible image, perfect for printing or archiving.

Picture Style settings With the EOS Rebel XSi’s Picture Style technology, photographers can change the look of their digital photographs. Color, saturation, sharpness and contrast settings create noticeable variation in the saved image. Changing a Picture Style setting is almost like a 35mm film user switching from one type of color film to another. In addition to six preset Picture Style settings, Canon offers additional downloadable "Picture Style Files," that can be installed into your camera for even more imaging options at your fingertips.

Highlight Tone Priority This vital Custom Function lets photographers get even better detail in bright highlights, even in contrasty lighting conditions. It’s beneficial for nearly any type of picture, from mid-day shots on a safari to portraits in sunlight, where a user may encounter bright highlight areas where he or she wants to preserve details. Finally, there’s no impact on the camera’s shooting speed or burst rate when Highlight Tone Priority is engaged. It takes full advantage of the EOS Rebel XSi's new 14-bit per channel conversion, meaning there are 16,384 distinct colors from darkest to lightest in each color channel.

Shooting and Sharing Made Easy

Includes EF-S 18-55mm f/3.5-5.6 Image Stabilizer lens The Canon EF-S 18-55mm f/3.5-5.6 IS zoom lens features the wide-angle to mid-range zoom flexibility of its non-IS predecessor with the significant advantage of Canon's true optical, lens-shift image stabilization system that yields up to a full four stops of image-shake correction.

Fully compatible with over 60 EF/EF-S Lenses and a wide range of EOS System accessories EOS Rebel XSi is compatible with all Canon lenses in the EF and EF-S lineup, ranging from ultra-wide angle to super telephoto lenses. Canon lenses employ advanced optical expertise and micron-precision engineering to deliver unprecedented performance in all facets of the photographic process. Special optical technologies, such as Aspherical, ultra-low dispersion, or fluorite elements are featured in the universally acclaimed L Series lenses, and Canon's Optical Image Stabilizer technology are featured in select lenses to minimize the effect of camera shake. Through Canon lenses, photographers can truly maximize the quality and liberating performance of the EOS Rebel XSi.

Flash Photography The EOS Rebel XSi features the acclaimed E-TTL II flash metering system. With any of the flashes in the EX Speedlite line, E-TTL II provides reliable flash output whether shooting fill-in flash pictures in sunlight, or using flash in total darkness. With E-TTL II, the exact same 35-zone metering sensor used for measuring ambient light is also used for flash metering -- giving even finer metering command of the image area. If you prefer a broader area for flash metering, there's a menu setting to change to "Average" flash metering, where the entire 35-zone area is measured evenly for flash exposure.

The Canon Speedlite 430EX is the ideal step-up accessory for powerful flash shooting with the EOS Rebel XSi. It has excellent flash power (maximum guide number of 141 ft./43m at ISO 100), and is the perfect way to get great flash pictures when you can't get right up to the subject. The 430EX is also great for bounce flash, with its tilting and swiveling flash head. It automatically zooms the flash head to cover lenses ranging from 16mm up to 105mm or longer with the EOS Rebel XSi. Of course, it works with the camera to provide full E-TTL II automatic flash exposure. And the 430EX has a powerful AF-assist beam, which allows the camera to autofocus even in total darkness on subjects as far as 32 ft. from the camera.

Included Software

Canon EOS Digital Solution Disk (Version 17.0) The EOS Rebel XSi comes bundled with an updated Canon EOS Digital Solution Disk, which features powerful software programs designed to extend the EOS experience to the computer. These include Canon's ZoomBrowser EX for Windows (Version 6.1), ImageBrowser for Macintosh OS X (Version 6.1), Digital Photo Professional (Version 3.3), the totally new Picture Style Editor (Version 1.0), Canon’s EOS Utility (Version 2.2), RAW Image Task (Version 2.8), PhotoStitch, and PTP TWAIN Driver. Each application is designed to perfect the captured images and streamline the digital workflow. ZoomBrowser EX v.6.1 and Digital Photo Professional v.3.3 for Windows are compatible with the new Windows Vista operating system.

Digital Photo Professional (Version 3.3) is an image processing program that enables high-speed RAW image processing, high-speed previewing for real-time image adjustment and support for sRGB, Adobe RGB and Wide Gamut RGB color spaces. Because it’s CMS (Color Management System) compatible, Digital Photo Professional allows for easy image layout and printing in Adobe RGB in conjunction with Easy-PhotoPrint and PictBridge printers. It also features the Dust Delete Data Detection tool for cleaner images.

EOS Utility (Version 2.3) for Macintosh or Windows handles the connection between the camera and computer, whenever they’re connected via USB. It allows remote controlled shooting from the computer, handles downloading of images from the camera to the computer, and allows seamless linking to either Canon’s ZoomBrowser/ImageBrowser or Digital Photo Professional software once images have been copied to the hard drive. Furthermore, it’s used to upload settings back into a USB-connected camera.

ZoomBrowser EX (Version 6.1) for Windows and ImageBrowser (Version 6.1) for Mac OS X are the easy, user-friendly options for viewing and editing of JPEG and even RAW image files. Both allow viewing of numerous types of images including finished TIFF and BMP files. Both also have a variety of search options for finding images, allow re-naming of single images or batches of files, and offer a variety of options for printing without using a separate image-editing program.

RAW Image Task (Version 2.8) for Windows/Macintosh This software is an integrated component of ZoomBrowser EX (Windows) or ImageBrowser (Mac). It allows processing of RAW images from EOS cameras, including the new EOS Rebel XSi, with a variety of adjustment possibilities. These options, as well as the overall color, contrast and "look" of RAW Image Task, closely mimic the characteristics of Canon’s in-camera JPEG processing.

What's in the Box

Canon Rebel XSi camera, EF-S 18-55mm f/3.5-5.6 Image Stabilizer lens, rechargeable battery pack and charger, USB and video cables, a neckstrap, an EOS Solutions Disk CD, and a 1-year Canon U.S.A., Inc. limited warranty

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Most Helpful Customer Reviews

1,407 of 1,426 people found the following review helpful: 5.0 out of 5 stars A camera that's powerful and a great value, March 5, 2008 This review is from: Canon PowerShot A590IS 8MP Digital Camera with 4x Optical Image Stabilized Zoom (Electronics) I own a DSLR and consider myself a photography enthusiast. I wanted a small compact camera with me when I don't want to lug around my DSLR + lenses and equipment. After a previous good experience with the Canon A720 IS, the new A590 IS seemed like a good choice. Since I'm an advanced photographer, I'll focus on the advanced features of this camera. The auto modes work as well as any other camera in its class, but the extensive manual features is what sets apart the Canon A series. What I like about the camera:

+ Compact, stylish. It's smaller than older A Powershots, and the dark grey color gives it a seriousness compared to the typical bright silver finish.

+ Image stabilization works very well, it allows me to take blur-free photos 2-3 stops below the recommended shutter speed, that means at 35-50mm f2.8 1/10 sec shots are CONSISTENTLY possible indoors without using flash.

+ Good image quality. Expected from Canon, but even better is adjustable contrast, saturation, and sharpness settings, along with the typical JPG compression and resolution sizes.

+ Fast and responsive. I was surprised how responsive this camera is even compared with my DSLR. Shutter lag is very low for a compact digicam, and when I pre-focus with manual focus, it's even faster.

+ Manual modes. Aperture priority and shutter priority are great, the M mode is even better than other A Powershots such as the A720 because now there's a light meter on the right side that adjusts live based on what the camera thinks is the optimal exposure setting. And you can adjust aperture/shutter speed and see how it affects the final exposure. Ideally a live histogram would be even better, but this is very handy.

+ Manual focus. Although the LCD resolution is not good enough, even with the point zoom option, manual focus helps in close-up work and pre-focusing for action or creative photography.

+ Manual flash modes. In addition to automatic flash. The manual flash allows me to adjust the flash power in 3 levels, and prevents a pre-flash. This last part is important for using a remote optical slave flash. I can basically take professional looking studio pictures with this camera with my external flash equipment.

+ Optical viewfinder. I don't use this much yet, but can come in handy in bright sunlight conditions, or when battery conservation is needed.

+ Battery performance seems improved over previous A powershots too. The official specs give it 220 shots on regular alkalines and 500 on rechargeable NiMHs. Good news is they use common AA batteries that you can buy anywhere instead of proprietary models with specific chargers.

Now the negatives. I hope Canon can improve these aspects in their future models.

- Slow flash recycle times. This is to be expected from a camera that takes AA batteries. Would be nice if the LCD didn't blank out after a full flash discharge. Not a big deal since I use an external flash anyway, and the camera's flash is manually set to medium output as trigger (so recharge is faster). I would not want to give up the AA battery convenience for a faster flash recycle time though.

- Higher resolution LCD. The 2.5" 115k resolution LCD is ok for framing and casual browsing, but higher resolution would be nice.

-Live histogram while shooting. This feature is available when reviewing a photo, but not live. Other manufacturers have implemented this, and Canon should also, especially since the unofficial CHDK software mod allows such a feature.

- Larger aperture would be nice. Such as f/2.0 (instead of f/2.6) at the wide end, and f/4.0 (instead of f/5.5) at the telephoto end. That way a lower (& less noisy) ISO can be used in dim conditions or when fast shutter speeds are needed to freeze action. All the electronics in the world can't replace a good large lens. Also allows more creative depth of field control.

- A wider wideangle would be nice, 28mm instead of 35mm (35mm equiv). I'd rather see a wider wideangle than a longer zoom.

- Video feature is not ideal. Optical zoom is not available during recording of video. And the more efficient MPEG4 compression is not used, so video files tend to be large. Also noticed at 640x480 resolution, the highest fps is now 20 instead of 30 from other A models. A definite step backwards.

- Noise at higher ISOs. This is due to the smaller sensor on compact cameras. But 8 MP is probably the most pixels that can be crammed into a small 1/2.5" sensor. I'd rather have a cleaner picture at 6-7 MP than a noisy 8 MP picture. And if in-camera noise reduction is used, I'd like to see an adjustable setting for how much is being applied.

- And if I were to be really critical: There's no indicator of what optical zoom level I'm at. Slight image noise is noticeable even at ISO 80 when I zoom in really close on a monitor view. When at the widest angle & aperture, there's slight barrel distortion and blurriness on the corners. Not many compact cameras can do better in terms of image quality, but I'm pointing them out here because even though this camera beats most of the competition, it still has room for improvement.

So overall it's a great camera for the price. Offering great image quality with the auto settings for the casual user, but also a powerful set of features for the more advanced photographer.

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452 of 463 people found the following review helpful: 5.0 out of 5 stars Hard to beat, March 10, 2008 This review is from: Canon PowerShot A590IS 8MP Digital Camera with 4x Optical Image Stabilized Zoom (Electronics) These PowerShot "A" cameras are Canon's attempt to deliver the quality and features of its more expensive PowerShot "G" and PowerShot Pro "S" lines (such as full zoom lenses) at a budget price. The results are pretty good. (How do I know? Because I've actually gotten to use all of these cameras. I earn my living at Walt Disney World writing a travel guide, and nearly every day guests ask me to take photos of them with their own cameras, which most often are Canon PowerShots.)

Here's my opinion of the top-selling "A" series cameras:

A580. This 2008 model is an A590IS (see below) without image stabilization and with semi-automatic instead of manual controls. I'd spend the extra bucks for the A590IS, because those two features can make quite a difference.

A650 IS. You can do a lot with this sweet little camera, though it may be more than you need. It has a flip-out LCD panel and the option of manual controls. The shots I've seen from this model look great. Keep your ISO under 800 and you won't get any noise.

A720 IS. This fully-loaded 2007 model has all the toys, including a 6x zoom (35mm film equivalent of 35-210mm), image stabilization, adjustable flash power and optional second-curtain flash. This last feature means you can make the flash fire at the end of a long exposure, instead of the beginning, so moving subjects streak into focus instead of out.

A470. This 2008 camera is great for kids or anyone just looking for a good basic camera. It includes Canon's face detection technology and has a zoom lens, 14 shooting modes and the ability to set exposure compensation, ISO and white balance manually. Plus it looks great, and is a good bargain.

Finally, the A590IS (the camera on this page) is a 2008 upgrade to an older model, the A570IS. The face detection system works a little better than the one on its predecessor, and the new model is slightly rounder and easier to grip. I personally like that it has automatic and manual controls, though I haven't seen anyone using the manual set yet. Overall this camera is a fine performer, a great bargain and I think the best buy of the bunch. I bought one for myself.

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233 of 236 people found the following review helpful: 5.0 out of 5 stars Worth the extra $30 over the A570is with mostly same or better features, March 20, 2008 This review is from: Canon PowerShot A590IS 8MP Digital Camera with 4x Optical Image Stabilized Zoom (Electronics) Pros:
The A590IS is the best point and shoot under $200 today (closer to $155 most places). I own an SD600 and my wife, friend, and father (all different people mind you!) own A570IS's. The A590IS is the new version of the A570IS, 2007's best selling camera. Generally, see the rave reviews of the A570IS if you want to know the major pros and cons (in summary: Image Stabilization is amazing, noise is limited, features of all there including manual controls [though no auto-bracketing which no other cameras at this price point have regardless], final picture quality is superior to all other brands at this price point and type, [i.e., point-and-shoot], good size). Rather, here I'll address the main improvements over the A570IS (which is about $30 cheaper):

(1) The A590IS has 8mp vs. 7mp on the A570IS (negligible difference)

(2) The A590IS is slightly faster between non-flash shots BUT slightly SLOWER before the first shot can be taken and slower between shots where flash is used (less than .5 second difference according to CNet)

(3) It's charcoal/gray - minor change from silver, but I like it a lot.

(4) It's "rounder" on the edges but no less stable in your hand, neither camera is too slippery like other overly polished cameras (also, no finger smudges as a result).

(5) There is sometimes increased noise with higher MP cameras, this is NOT the case here - noise levels are similar.

(6) there are some minor additional shooting modes and improvements to other shooting

Cons:
The only change that is not an improvement is the lowering of the frames per second in the video mode.
A570IS: 640x480 = 30fps --- 320x240 = 60fps
A590IS: 640x480 = 20fps --- 320x240 = 30fps

Frankly, this is a bummer and cannon should correct it with firmware ASAP; however, the lower FPS is still quiet good, but this was a pointless change that is not appreciated -- the reality is that most people don't use video often and those who do will see a minimal difference ... if you're paying that much attention to the video you may be more interested in a different camera or a video camera.

Conclusion:
This will be the best selling camera of 2008 and it's a VERY safe purchase you won't regret (unless it gives you such a new found love for photography that suddenly you wish you had a Canon S5 or G7 ... which are more than twice as expensive!).

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